《推手》的中西文化主題闡釋
發(fā)布時間：2019-08-04 13:22
【摘要】：《推手》是導(dǎo)演李安在1991年執(zhí)導(dǎo)的第一部電影,后來也被列入"家庭三部曲"(《推手》《喜宴》和《飲食男女》)之中�！锻剖帧分�,"家庭空間"構(gòu)成核心場景,"父子關(guān)系"在敘事發(fā)展中演變升級,導(dǎo)演透過一場日常的家庭矛盾,向觀眾展示了東西方文化差異引發(fā)的碰撞與融合。作為李安的第一部電影作品,《推手》表現(xiàn)出極強的空間感和分寸感,以一種寬容的心態(tài)去重新審視東方傳統(tǒng)文化,并對全球語境下的家庭單元和成員關(guān)系做出反思。
[Abstract]:"push hand" is the first film directed by director Ann Lee in 1991, and was later included in the "Family Trilogy" ("push hand" and "Diet Men and Women"). In "push hand", "Family Space" constitutes the core scene, "Father-son relationship" evolves and escalates in the narrative development, and the director shows the collision and fusion caused by the cultural differences between the East and the West through a daily family contradiction. As the first film work of Li'an, push hand shows a strong sense of space and dimension, reexamines the oriental traditional culture with a tolerant attitude, and reflects on the family unit and membership in the global context.
【作者單位】： 洛陽理工學(xué)院外國語學(xué)院;
【分類號】：J905
本文編號：2522962
[Abstract]:"push hand" is the first film directed by director Ann Lee in 1991, and was later included in the "Family Trilogy" ("push hand" and "Diet Men and Women"). In "push hand", "Family Space" constitutes the core scene, "Father-son relationship" evolves and escalates in the narrative development, and the director shows the collision and fusion caused by the cultural differences between the East and the West through a daily family contradiction. As the first film work of Li'an, push hand shows a strong sense of space and dimension, reexamines the oriental traditional culture with a tolerant attitude, and reflects on the family unit and membership in the global context.
【作者單位】： 洛陽理工學(xué)院外國語學(xué)院;
【分類號】：J905
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