【摘要】：節(jié)奏是自然界和生活中的一種固有規(guī)律，萬事萬物，無論有生命或無生命的個體，只要有運動，就都存在節(jié)奏。在藝術領域，節(jié)奏是指同一視覺或聽覺要素的變化和重復產生的運動感。由于制作方式的限制，動畫比起電影來更需要節(jié)奏。動畫是一種從誕生之日起，就有了強烈的節(jié)奏控制的藝術形式。作為影視藝術生命力的最重要表達方式，忽視節(jié)奏，，就等于忽視了影視藝術的命脈。 而影視真正的藝術性是建立在廣泛認可的基礎之上的。觀眾作為影視藝術傳播過程的接受終端，是影片節(jié)奏結構的最終體驗者和檢驗者，只有通過觀眾的認可，影視藝術的價值才得以實現。所以研究影視藝術，就必須了解觀眾的心理需求，要了解觀眾的需求，就需要研究其心理活動。所以，本論文試圖通過觀眾心理學論述觀眾心理與節(jié)奏的關系，研究如何運用節(jié)奏能更好的的吸引觀眾注意力的問題。 論文的第一章為研究現狀、背景及意義。第二章主要論述節(jié)奏的概念、產生和作用。第三章選取了內部節(jié)奏中較為重要的影片劇情節(jié)奏、視覺節(jié)奏、鏡頭組接節(jié)奏、聽覺節(jié)奏逐個分小節(jié)進行論述，并分別輔以優(yōu)秀影片作為例證。由于本文側重點在于節(jié)奏與心理的關系，因此將角色情緒節(jié)奏專列一節(jié)，論述角色情緒和角色性格對影片節(jié)奏的影響。第四章主要從節(jié)奏的心理學功能，論述了節(jié)奏的心理學研究意義和節(jié)奏與觀眾心理的關系。第五章分別以之前講到過的劇情節(jié)奏、視覺節(jié)奏、聽覺節(jié)奏和鏡頭組接節(jié)奏論述了不同類別的節(jié)奏對觀眾心理的影響。
[Abstract]:Rhythm is an inherent law in nature and life. Everything, whether living or inanimate, exists rhythm as long as there is movement. In the field of art, rhythm refers to the change and repetition of the same visual or auditory elements. Because of the limitations of the way it is made, animation needs rhythm more than movies. Animation is an art form with strong rhythm control from the date of its birth. As the most important expression of the vitality of film and television art, neglecting rhythm is tantamount to neglecting the lifeline of film and television art. The true artistry of film and television is based on widespread recognition. As the receiving terminal of the spread process of film and television art, the audience is the final experiencer and tester of the rhythm structure of the film. Only through the recognition of the audience can the value of film and television art be realized. Therefore, to study film and television art, we must understand the psychological needs of the audience, in order to understand the needs of the audience, we need to study its psychological activities. Therefore, this paper attempts to discuss the relationship between audience psychology and rhythm through audience psychology, and to study how to use rhythm to better attract audience attention. The first chapter is the research status, background and significance. The second chapter mainly discusses the concept, emergence and function of rhythm. The third chapter selects the important film plot rhythm, visual rhythm, lens group rhythm and auditory rhythm, which are more important in the internal rhythm, and takes the excellent film as an example. Because this paper focuses on the relationship between rhythm and psychology, this paper discusses the influence of role emotion and character on the rhythm of the film. The fourth chapter mainly discusses the psychological research significance of rhythm and the relationship between rhythm and audience psychology from the psychological function of rhythm. The fifth chapter discusses the influence of different types of rhythm on audience psychology with the rhythm of plot, visual rhythm, auditory rhythm and lens group rhythm mentioned before.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905


本文編號：2506053