新世紀(jì)以來迪士尼動畫大片女主角形象研究
發(fā)布時間：2019-06-13 20:23
【摘要】：迪士尼動畫被譽稱為“生命的幻像”,它一直占據(jù)著美國動畫市場的核心地位,見證與帶領(lǐng)了美國動畫電影從雛形到成熟再到世界巔峰的歷程。迪士尼動畫的成功不僅是其動畫類型、配樂、特效上的視聽震撼,更是生動、有趣、迷人的卡通人物形象為其留下了更令人難忘的動畫記憶�？v觀迪士尼動畫人物近百年的演變過程,由上世紀(jì)可愛的米老鼠家族到如今21世紀(jì)里造型多變的各類人物,迪士尼里每一位角色都彰顯著其獨特的審美情趣,主人公身上更是以多元化的性格和外形實現(xiàn)人物獨特風(fēng)格的塑造,且往往不同于配角、反派角色,有著反差或遞增的形象發(fā)展趨勢。那么,迪士尼對人物形象的創(chuàng)新設(shè)計,不僅完善與突破了動畫設(shè)計的理念,并且調(diào)皮的米老鼠、優(yōu)雅的白雪公主、純真的匹諾曹、勇敢的辛巴、善良的小美人魚、憂郁的艾莎、堅強的朱迪等人物形象的成功,推動了其動畫市場的發(fā)展前景與領(lǐng)軍地位。由此可見,其人物都有著別出心裁的形象定位,尤其在女主角形象塑造上,新世紀(jì)迪士尼動畫女主角已截然不同于上世紀(jì)的女性形象,女性意識的愈發(fā)強烈,使她們變得更加個性化、獨立化,甚至在近幾年的迪士尼動畫里女主角幾乎擁有了比男性角色更重要的形象地位,并漸漸取代了男性敘事視角,如《勇敢傳說》《冰雪奇緣》《瘋狂動物城》《海洋奇緣》里的女性形象,她們都有著自己獨立的話語權(quán),并主要以自我意志決定行為動機。針對迪士尼動畫女性的形象轉(zhuǎn)變,本文基于新世紀(jì)迪士尼動畫大片里的女主角形象,圍繞其形象類型、審美特征、塑造策略、文化內(nèi)涵四個方面進行研究,且全文分為緒論、四個章節(jié)和結(jié)語。本文的緒論部分主要闡述研究目的以及梳理國內(nèi)外相關(guān)研究的現(xiàn)狀,以此分析目前學(xué)者們對迪士尼動畫研究的重點理論和對迪士尼女性形象研究得出的核心觀點。第一章為新世紀(jì)迪士尼動畫女主角形象圖譜,主要分析迪士尼女性形象概觀,從迪士尼誕生的首位女明星到當(dāng)下的熱門女性主角,分析她們的形象共性與個性,并根據(jù)迪士尼女性“公主、擬人、平民”三大類型進行形象分析。第二章為新世紀(jì)迪士尼動畫女主角形象的審美特征,主要是從動畫造型藝術(shù)和美學(xué)價值兩方面展開研究,圍繞女主角造型上的擬真與變形,以及童話性、游戲性、喜劇性三大特征,挖掘出迪士尼女主角形象的審美情趣。第三章為新世紀(jì)迪士尼動畫女主角形象的塑造策略,主要結(jié)合迪士尼動畫里的最為成功和最具特色的女主角形象作為案例分析,探究迪士尼對女主角在話語權(quán)、敘事風(fēng)格等方面的巧妙設(shè)計。第四章為新世紀(jì)迪士尼動畫女主角形象的文化內(nèi)涵,主要就迪士尼文化理念、美國精神文化、后現(xiàn)代精神文化三個部分為研究核心,分析三種文化與迪士尼女主角形象的關(guān)聯(lián)性。
[Abstract]:Disney animation is known as "the illusion of life". It has always occupied the core position of the American animation market, and witnessed and led the process of American animation films from embryonic form to maturity and then to the peak of the world. The success of Disney animation is not only its animation type, soundtrack, special effects on the audio-visual shock, but also vivid, interesting, charming cartoon characters for it left a more unforgettable animation memory. Throughout the evolution of Disney animated characters in the past hundred years, from the lovely Mickey Mouse family in the last century to all kinds of characters with changeable shapes in the 21st century, each character in Disney shows its unique aesthetic taste, and the protagonist realizes the unique style of the characters with diversified character and shape, and is often different from the supporting characters, villain characters, with a contrast or increasing image development trend. Well, Disney's innovative design of character images not only perfects and breaks through the concept of animation design, but also promotes the development prospect and leading position of animation market by naughty Mickey Mouse, elegant Snow White, pure Pinocchio, brave Simba, kind little mermaid, melancholy Aisha, strong Judy and so on. Thus it can be seen that their characters have a unique image orientation, especially in the portrayal of the heroine, the female protagonist of the new century Disney animation has been very different from the female image of the last century, and the female consciousness has become more personalized and independent, and even in the Disney animation in recent years, the heroine has almost had a more important image position than the male character, and has gradually replaced the male narrative perspective. For example, in the Legend of bravery, the Legend of Ice and Snow, the Crazy Animal City, the Ocean Wonder, they all have their own independent voice, and mainly determine their behavior motivation by their own will. In view of the image transformation of Disney animation women, this paper is based on the image of heroine in Disney animation blockbuster in the new century, focusing on its image type, aesthetic characteristics, shaping strategy and cultural connotation, and the full text is divided into introduction, four chapters and conclusion. The introduction part of this paper mainly expounds the purpose of the research and combs the present situation of the relevant research at home and abroad, in order to analyze the key theory of Disney animation research and the core point of view of Disney female image research. The first chapter is the image map of Disney animation heroine in the new century, mainly analyzes the Disney female image overview, from Disney's first female star to the current hot female protagonist, analyzes their image commonness and individuality, and carries on the image analysis according to Disney female "princess, personification, civilian" three types. The second chapter is the aesthetic characteristics of Disney animated heroine image in the new century, mainly from the animation plastic arts and aesthetic value of the two aspects of research, around the heroine modeling quasi-truth and deformation, as well as fairy tale, game, comedy three characteristics, excavate the aesthetic taste of Disney heroine image. The third chapter is the shaping strategy of Disney animation heroine image in the new century, which mainly combines the most successful and characteristic heroine image in Disney animation as a case study to explore Disney's ingenious design of heroine in speech power, narrative style and so on. The fourth chapter is the cultural connotation of Disney animation heroine image in the new century, mainly on Disney cultural concept, American spiritual culture, post-modern spiritual culture as the core of the study, analysis of the relationship between the three cultures and Disney heroine image.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J954
本文編號：2498795
[Abstract]:Disney animation is known as "the illusion of life". It has always occupied the core position of the American animation market, and witnessed and led the process of American animation films from embryonic form to maturity and then to the peak of the world. The success of Disney animation is not only its animation type, soundtrack, special effects on the audio-visual shock, but also vivid, interesting, charming cartoon characters for it left a more unforgettable animation memory. Throughout the evolution of Disney animated characters in the past hundred years, from the lovely Mickey Mouse family in the last century to all kinds of characters with changeable shapes in the 21st century, each character in Disney shows its unique aesthetic taste, and the protagonist realizes the unique style of the characters with diversified character and shape, and is often different from the supporting characters, villain characters, with a contrast or increasing image development trend. Well, Disney's innovative design of character images not only perfects and breaks through the concept of animation design, but also promotes the development prospect and leading position of animation market by naughty Mickey Mouse, elegant Snow White, pure Pinocchio, brave Simba, kind little mermaid, melancholy Aisha, strong Judy and so on. Thus it can be seen that their characters have a unique image orientation, especially in the portrayal of the heroine, the female protagonist of the new century Disney animation has been very different from the female image of the last century, and the female consciousness has become more personalized and independent, and even in the Disney animation in recent years, the heroine has almost had a more important image position than the male character, and has gradually replaced the male narrative perspective. For example, in the Legend of bravery, the Legend of Ice and Snow, the Crazy Animal City, the Ocean Wonder, they all have their own independent voice, and mainly determine their behavior motivation by their own will. In view of the image transformation of Disney animation women, this paper is based on the image of heroine in Disney animation blockbuster in the new century, focusing on its image type, aesthetic characteristics, shaping strategy and cultural connotation, and the full text is divided into introduction, four chapters and conclusion. The introduction part of this paper mainly expounds the purpose of the research and combs the present situation of the relevant research at home and abroad, in order to analyze the key theory of Disney animation research and the core point of view of Disney female image research. The first chapter is the image map of Disney animation heroine in the new century, mainly analyzes the Disney female image overview, from Disney's first female star to the current hot female protagonist, analyzes their image commonness and individuality, and carries on the image analysis according to Disney female "princess, personification, civilian" three types. The second chapter is the aesthetic characteristics of Disney animated heroine image in the new century, mainly from the animation plastic arts and aesthetic value of the two aspects of research, around the heroine modeling quasi-truth and deformation, as well as fairy tale, game, comedy three characteristics, excavate the aesthetic taste of Disney heroine image. The third chapter is the shaping strategy of Disney animation heroine image in the new century, which mainly combines the most successful and characteristic heroine image in Disney animation as a case study to explore Disney's ingenious design of heroine in speech power, narrative style and so on. The fourth chapter is the cultural connotation of Disney animation heroine image in the new century, mainly on Disney cultural concept, American spiritual culture, post-modern spiritual culture as the core of the study, analysis of the relationship between the three cultures and Disney heroine image.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J954
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