【摘要】：作為調(diào)整畫幅的實(shí)驗(yàn)性作品,電影《我不是潘金蓮》講述了一個(gè)貼近生活的現(xiàn)實(shí)故事,電影遵循因果承續(xù)的內(nèi)容架構(gòu),以全知視點(diǎn)凝聚情節(jié),但重情節(jié)線索輕細(xì)節(jié)骨肉的架構(gòu)特點(diǎn)使這個(gè)因果相連、富于秩序感的故事變得飄忽而荒誕,更在說(shuō)書人似的旁白中退后為悠悠傳說(shuō)。同時(shí),基于偶然的反諷敘事真假倒錯(cuò),強(qiáng)化了其傳奇性;方圓畫幅的選取,對(duì)稱構(gòu)圖、低飽和色彩的運(yùn)用,使得故事進(jìn)一步抽象寫意,江南水鄉(xiāng)背景下四處鳴冤的李雪蓮,已然成為一個(gè)符號(hào),成就了現(xiàn)實(shí)表象下中國(guó)故事的荒誕與象征。
[Abstract]:As an experimental work to adjust the picture, the film "I am not Pan Jinlian" tells a realistic story close to life. The film follows the content structure of causality, and condenses the plot from a omniscience point of view. However, the structural characteristics of emphasizing plot clues over detail make this causality connected, the story full of order becomes erratic and absurd, and retreats into leisurely legends in storyteller narratives. At the same time, based on the accidental irony narration, the truth and falsehood are wrong, which strengthens its legendary nature. The selection of square circle painting, symmetrical composition and the use of low saturation color make the story further abstract freehand brushwork. Li Xuelian, who has been avenged everywhere in the background of Jiangnan water village, has become a symbol. It has achieved the absurd and symbolic of the Chinese story under the realistic appearance.
【作者單位】： 中原工學(xué)院;
【基金】：2014年國(guó)家社科基金藝術(shù)學(xué)青年項(xiàng)目“中國(guó)現(xiàn)代話劇導(dǎo)演史論”(項(xiàng)目編號(hào):14CB101)
【分類號(hào)】：J905
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本文編號(hào)：2497119