【摘要】：新疆有著獨(dú)特的自然地理特征、久遠(yuǎn)的文化淵源、深厚的歷史內(nèi)涵，為紀(jì)錄片的創(chuàng)作提供了豐富的題材和靈感。從上世紀(jì)以來，我國的紀(jì)錄片創(chuàng)作者們源源不斷地趕赴新疆，創(chuàng)作了種類繁多的新疆題材紀(jì)錄片，在這其中，有歷史淵源探究的，亦有自然地理考證的，也有民族特征展示的，涉及了人文類、自然類等多種題材。 對于這些有著林林總總題材的新疆紀(jì)錄片，我們不難貼上各種標(biāo)簽，比如自然，比如民族，比如文化，等等。如何將這些標(biāo)簽串成一條線，從歷史的、宏觀卻又細(xì)膩的角度來審視和思考新疆的紀(jì)錄片，筆者在觀看了大量的新疆紀(jì)錄片后，，找到了一個恰當(dāng)?shù)那腥朦c(diǎn)——西域文化。西域，是新疆的古稱。西域文化，作為代表新疆文化的獨(dú)特地域文化，其形成，既有歷史的縱深感，又有民族的多元性，既與自然地貌息息相關(guān)，又和宗教人文密不可分，幾乎涵蓋了新疆紀(jì)錄片創(chuàng)作的各種題材。 因此，本文從西域文化這個角度入手，從獨(dú)特的西域地理文化、宗教文化、多元民族文化為立足點(diǎn)，研究西域文化對新疆紀(jì)錄片題材選擇、創(chuàng)作特色的作用力，深入研究新疆紀(jì)錄片創(chuàng)作的歷史縱深和現(xiàn)實(shí)意義。主要從西域文化對新疆紀(jì)錄片題材選擇、創(chuàng)作特色的影響，和新疆紀(jì)錄片對西域文化的反作用這三個方面入手，闡述了西域文化與新疆紀(jì)錄片創(chuàng)作千絲萬縷的關(guān)系。通過本文的研究，一方面，可以從獨(dú)特的文化視角入手，對新疆紀(jì)錄片有嶄新的、系統(tǒng)的了解，另一方面，紀(jì)錄片作為文化形式的一種，必然對西域文化有著一定影響和反作用，在對紀(jì)錄片進(jìn)行研究的基礎(chǔ)上，就如何完善新疆的紀(jì)錄片創(chuàng)作，使其作為西域文化的真實(shí)展現(xiàn)，作為西域文化的發(fā)展深化，提出了一定的意見和建議。
[Abstract]:Xinjiang has unique natural geographical characteristics, long cultural origin and profound historical connotation, which provides rich themes and inspiration for the creation of documentaries. Since the last century, the documentary creators of our country have continuously rushed to Xinjiang to create a wide variety of Xinjiang subject documentaries, among which there are historical origin exploration, natural geography textual research, and national characteristics display. It involves many kinds of subjects, such as humanities, nature and so on. For these Xinjiang documentaries with a wide range of themes, it is not difficult for us to put on all kinds of labels, such as nature, such as ethnic groups, culture, and so on. How to string these labels into a line, from the historical, macro but delicate point of view to examine and think about Xinjiang documentaries, after watching a large number of Xinjiang documentaries, the author found an appropriate entry point-Western region culture. The western region is the ancient name of Xinjiang. The culture of the western region, as a unique regional culture representing Xinjiang culture, has not only the depth of history, but also the diversity of the nation, which is closely related to the natural landform and is closely related to the religion and humanities. It almost covers all kinds of subjects of Xinjiang documentary creation. Therefore, from the perspective of western culture, from the unique western geographical culture, religious culture, pluralistic national culture as the foothold, this paper studies the action of western culture on the choice of subject matter and creative characteristics of Xinjiang documentary. Deeply study the historical depth and practical significance of Xinjiang documentary creation. This paper mainly expounds the inextricable relationship between the culture of the western region and the creation of the documentary in Xinjiang from three aspects: the influence of the culture of the western region on the theme choice of the documentary in Xinjiang, the influence of the creative characteristics of the documentary in Xinjiang, and the reaction of the documentary in Xinjiang to the culture of the western region. Through the study of this paper, on the one hand, we can start from a unique cultural perspective and have a new and systematic understanding of Xinjiang documentaries. On the other hand, documentaries, as a kind of cultural form, It is inevitable that it will have a certain influence and reaction on the culture of the Western region. On the basis of the study of the documentary, how to perfect the creation of the documentary in Xinjiang, so that it can be regarded as the true display of the culture of the Western region and the deepening of the development of the Culture of the Western region, Some suggestions and suggestions are put forward.
【學(xué)位授予單位】：新疆大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J952

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 古麗扎爾·鐵木爾;阿迪夏·夏熱合曼;;新疆是紀(jì)錄片創(chuàng)作人的寶地[J];電影評介;2008年05期

2 王W

本文編號：2496976