【摘要】：正從小說(shuō)到電影改編,《房間》一路收獲了太多榮耀,敘述方式的智慧選擇與作品本身的多義性彰顯著它具備的所有"優(yōu)秀"文本應(yīng)有的特質(zhì)。"反烏托邦"作品的氣息、對(duì)兩性權(quán)力關(guān)系的隱喻投射,又或者是對(duì)性侵事件的控訴,這些都隱約在《房間》中潛伏。不過(guò),原著作者愛(ài)瑪·多諾霍曾在接受采訪時(shí)說(shuō)過(guò):"雖然這個(gè)故事確實(shí)基
[Abstract]:From the novel to the film adaptation, Room has gained too much glory all the way. The intelligent choice of narrative style and the polysemy of the work itself highlight the characteristics of all the "excellent" texts it has. " The breath of dystopian works, the metaphorical projection of the power relationship between the two sexes, or the complaint of sexual assault are vaguely lurking in the Room. However, the original author Emma Donohue once said in an interview: "although this story is indeed based on."
【作者單位】： 南開(kāi)大學(xué)文學(xué)院;
【分類(lèi)號(hào)】：J905
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本文編號(hào)：2494164