【摘要】：電影語言的實(shí)用研究是當(dāng)代語言學(xué)研究的主要任務(wù)，它是在經(jīng)典語言學(xué)和現(xiàn)代語言學(xué)研究基礎(chǔ)上的進(jìn)一步發(fā)展。電影語言學(xué)是一體的新興綜合性學(xué)科的一個(gè)重要的研究價(jià)值。可以在了解語言學(xué)的基本知識(shí)的基礎(chǔ)上，將電影語言相結(jié)合的理論與實(shí)踐進(jìn)行分析，還可以研究電影語言的表意方式，例如通過實(shí)施例的方式。語言學(xué)的集大成者索緒爾指出語言由“能指”和“所指”組成，電影作為一種語言，從畫面語言到聲音語言都有與之相匹配的“能指”和“所指”。研究電影語言的特性是電影語言學(xué)一個(gè)及其重要的方面，可以有力地推動(dòng)電影語言學(xué)的發(fā)展,對(duì)于提高電影電視的藝術(shù)實(shí)踐水平、理論研究水平以及整體文化水平，都有著至關(guān)重要的意義。 引言部分為電影語言符號(hào)特性研究的概述，闡述了國內(nèi)外電影語言符號(hào)特性研究的現(xiàn)狀，分析存在的問題，提出反思。界定了符號(hào)、語言符號(hào)、電影語言符號(hào)、特性等概念作為研究的基礎(chǔ)，明晰課題探討的研究意義及價(jià)值。從而提出本文研究的研究目的及方法。 第一章介紹的電影語言符號(hào)組成，從符號(hào)學(xué)的角度來看，電影語言符號(hào)學(xué)“能指”和“所指”的意思。嚴(yán)格按照符號(hào)學(xué)的研究方法，以確定與您要匹配的電影能指和所指的符號(hào)語言。經(jīng)研究發(fā)現(xiàn)，電影語言符號(hào)的能指層面由鏡頭、聲畫系統(tǒng)及組合系統(tǒng)構(gòu)成，所指層面為鏡頭形式的情感傳遞、聲畫內(nèi)容的形象表述、蒙太奇的審美表達(dá)三個(gè)方面。明晰電影語言符號(hào)的構(gòu)成，進(jìn)而分析其特性。 第二章、第三章、第四章分別從電影語言符號(hào)的曲指性、直觀性、層級(jí)性三個(gè)視角出發(fā)去探討電影語言符號(hào)的特性，，區(qū)分電影語言與其他門類語言的區(qū)別。從特性產(chǎn)生的原因、表現(xiàn)特征、審美意蘊(yùn)等方面與自然語言、科學(xué)語言、文學(xué)語言進(jìn)行對(duì)比研究。 第五章是對(duì)電影語言符號(hào)特性研究的思考，電影語言是一個(gè)獨(dú)立的概念，并非是對(duì)自然語言的譬喻，但是“電影語言”一詞的出現(xiàn)和研究又與自然語言有著密切的聯(lián)系，電影語言的創(chuàng)作吸取了大量文學(xué)語言的經(jīng)驗(yàn)與精華，所以這里把電影語言和自然語言、文學(xué)語言的異同做一個(gè)歸納,以便對(duì)電影語言的特性進(jìn)行探討。
[Abstract]:The practical study of film language is the main task of contemporary linguistics, and it is a further development on the basis of classical linguistics and modern linguistics. Film linguistics is an important research value of a new and comprehensive subject. On the basis of understanding the basic knowledge of linguistics, the theory and practice of combining film language can be analyzed, and the ideographic methods of film language, such as through embodiments, can also be studied. Saussure, a master of linguistics, points out that language consists of "signifier" and "signifier". Film, as a language, has a matching "signifier" and "signifier" from picture language to sound language. The study of the characteristics of film language is an important aspect of film linguistics, which can effectively promote the development of film linguistics, and can improve the artistic practice level, theoretical research level and overall cultural level of film and television. Are of vital significance. The introduction part is an overview of the research on the characteristics of film language symbols, expounds the present situation of the research on the characteristics of film language symbols at home and abroad, analyzes the existing problems, and puts forward some reflections. The concepts of symbol, language symbol, film language symbol and characteristic are defined as the basis of the research, and the significance and value of the research are clarified. Thus, the purpose and method of this study are put forward. The first chapter introduces the composition of film language symbols. From the perspective of semiotics, film language semiotics means "signifier" and "signifier". Strictly follow semiotics to determine the signifier and symbolic language you want to match. It is found that the signifier level of film language symbols is composed of lens, sound painting system and combination system, which is composed of three aspects: the emotional transmission in the form of lens, the image expression of sound painting content and the aesthetic expression of montage. Clarify the composition of film language symbols, and then analyze its characteristics. The second chapter, the third chapter and the fourth chapter discuss the characteristics of film language symbols from the perspectives of curvature, intuitiveness and hierarchy of film language symbols, and distinguish the differences between film language and other kinds of languages. This paper makes a comparative study with natural language, scientific language and literary language from the aspects of the causes of characteristics, the characteristics of expression and the aesthetic implication. The fifth chapter is about the study of the symbolic characteristics of film language. Film language is an independent concept, not a metaphor for natural language, but the emergence and research of the word "film language" is closely related to natural language. The creation of film language absorbs a lot of experience and essence of literary language, so this paper sums up the similarities and differences between film language and natural language, literary language, in order to explore the characteristics of film language.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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