【摘要】：姜文從演員轉(zhuǎn)作導(dǎo)演,依舊個人風(fēng)格鮮明,其電影展現(xiàn)的風(fēng)格化還源于姜文以編劇的身份參與電影的前期籌備。一個知道表達(dá)什么的“編劇”加上一個知道如何表達(dá)的“導(dǎo)演”,成就了姜文,更是奠定了姜文的電影氣質(zhì)。于是,一個24歲即憑借在《芙蓉鎮(zhèn)》中的表演獲得1987年大眾電影百花獎最佳男演員的硬漢轉(zhuǎn)身成為創(chuàng)作型導(dǎo)演,并且成為中國電影不可避而不談的志識人物。 其電影作品,亦因其獨(dú)特的視聽語言和美學(xué)特征,常常存在難以被人理解的元素而被認(rèn)為個人化的“孤芳自賞”,但其卓越的藝術(shù)風(fēng)格在當(dāng)代中國電影界獨(dú)樹一幟,也正因此使得姜文的電影作品被稱為作者電影,值得研究。 本文將分別從三個方面對姜文導(dǎo)演作品進(jìn)行分析,各方面分析內(nèi)容如下： 緒論部分主要對姜文導(dǎo)演的四部電影作品進(jìn)行梳理,并闡述分析姜文導(dǎo)演作品的目的和意義。 第一章主要論述“作者電影”以及姜文導(dǎo)演作品被稱為作者電影的原因,并簡要分析其作者電影作品。 第二章從作者電影出發(fā),分析姜文電影表達(dá)的主題其電影創(chuàng)作的現(xiàn)實(shí)及歷史的觀照。 第三章主要論述姜文電影電影中獨(dú)特的視聽語言,包括影片的色彩、音樂以及鏡頭語言三個方面。
[Abstract]:Jiang Wen changed from actor to director, still has a distinctive personal style, the style of his film also stems from Jiang Wen as a screenwriter to participate in the preparation of the film. A "screenwriter" who knows what to express and a "director" who knows how to express it have achieved Jiang Wen and laid the foundation for Jiang Wen's film temperament. So, at the age of 24, a tough guy who won the 1987 popular Film hundred Flower Award for Best Actor for his performance in Furong Town turned into a creative director and became an inescapable figure in Chinese films. His film works, because of their unique audio-visual language and aesthetic characteristics, are often regarded as personalized "lone self-appreciation" because of their unique audio-visual language and aesthetic characteristics, but their outstanding artistic style is unique in the contemporary Chinese film industry. As a result, Jiang Wen's film works are called author films, which are worth studying. This paper will analyze Jiang Wen's works from three aspects, and the contents are as follows: the introduction part mainly combs the four film works of Jiang Wen, and expounds the purpose and significance of Jiang Wen's works. The first chapter mainly discusses the reasons why the author Film and Jiang Wen's directed works are called the author Film, and briefly analyzes the author's film works. The second chapter, starting from the author's film, analyzes the theme of Jiang Wen's film expression, the reality and historical observation of his film creation. The third chapter mainly discusses the unique audio-visual language in Jiang Wen's films, including the color of the film, music and lens language.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 趙寧宇;;姜文的電影世界[J];當(dāng)代電影;2011年05期

2 屠錦英;;姜文電影音樂符碼中的后革命氛圍解讀[J];當(dāng)代電影;2011年12期

3 胡建紅;;試析《太陽照常升起》難解性的成因[J];電影評介;2011年11期

4 于然;;黑色幽默語境下的抒情長詩——試析《讓子彈飛》中視聽語言的敘事節(jié)奏[J];浙江傳媒學(xué)院學(xué)報(bào);2011年02期

5 弋丹陽;;姜文電影中的“火車”意象[J];大舞臺;2013年02期

6 楊杰;;亂世中的荒誕與哲思—姜文電影的藝術(shù)個性[J];東南傳播;2013年03期

7 石菲菲;;論姜文電影中的視聽語言分析[J];大眾文藝;2013年18期

8 樊菊艷;;試論姜文電影的時(shí)代性[J];長江工程職業(yè)技術(shù)學(xué)院學(xué)報(bào);2012年03期

9 譚慶;;姜文電影中的新歷史主義視角[J];創(chuàng)作與評論;2011年06期

10 ;試論色彩與電影藝術(shù)的關(guān)系[J];理論觀察;2008年06期

，

本文編號：2481704