【摘要】：2010年兩部網(wǎng)絡(luò)電影《老男孩》《四夜奇譚》的出現(xiàn)讓誕生十余年的網(wǎng)絡(luò)電影重新釋放光彩，引發(fā)了一股中國網(wǎng)絡(luò)電影的拍攝、討論熱潮。網(wǎng)絡(luò)電影這種新型的電影藝術(shù)形式打破了專業(yè)媒體、機構(gòu)主導(dǎo)影像傳播的傳統(tǒng)，符合網(wǎng)絡(luò)時代下受眾參與編劇、平等對話的訴求，具有積極的理論價值和現(xiàn)實意義。 網(wǎng)絡(luò)電影是網(wǎng)絡(luò)數(shù)字媒體技術(shù)發(fā)展、視頻網(wǎng)站走向強大，多元社會和碎片化生存時空交織作用下的產(chǎn)物，具有短時性、個體性、互動性的特征，這些都使得網(wǎng)絡(luò)電影明顯區(qū)別于傳統(tǒng)電影。因此，網(wǎng)絡(luò)電影需要尋找適合自身生存發(fā)展的方法途徑，方能在未來與電影的競爭中保持優(yōu)勢。本文選擇從文本和接受兩個對網(wǎng)絡(luò)電影生存發(fā)展有決定作用的因素對網(wǎng)絡(luò)電影進行了較為深入的分析闡釋。文本上，文章結(jié)合網(wǎng)絡(luò)電影的作品分析，運用敘事學(xué)相關(guān)理論，從網(wǎng)絡(luò)電影的主題、敘事策略、語言三個方面探析了網(wǎng)絡(luò)電影的文本特征。隨后對網(wǎng)絡(luò)電影接受主體進行研究，概括總結(jié)了接受主體的人口特征和接受行為，探討了網(wǎng)絡(luò)電影主動參與的接受方式帶來的全新的審美體驗，，闡述了網(wǎng)絡(luò)電影四種不同的接受心理，對網(wǎng)絡(luò)電影的接受主體的特質(zhì)進行綜合剖析。基于對文本和接受的相關(guān)分析和總結(jié)，文章最后對網(wǎng)絡(luò)電影的發(fā)展提出了“豐富作品題材、改善畫面質(zhì)量、提高思想深度、重視互動型作品”的發(fā)展建議，以期對網(wǎng)絡(luò)電影的良性發(fā)展有所啟示。
[Abstract]:The emergence of two online films, Old Boys and four Nights in 2010, brought back the brilliance of online films, which were born for more than a decade, and triggered a wave of online film shooting and discussion in China. The new film art form of online film breaks the tradition of professional media and organization leading image communication, and accords with the demand of audience to participate in screenwriting and equal dialogue in the network age, and has positive theoretical value and practical significance. Network film is the product of the development of network digital media technology, the strong trend of video website, the interweaving of pluralistic society and piecewise survival time and space, which has the characteristics of short time, individuality and interaction. All these make the online film obviously different from the traditional film. Therefore, online film needs to find a way to survive and develop in order to maintain its advantage in the future competition with film. This paper analyzes and explains the online film from two decisive factors, the text and the acceptance, which play a decisive role in the survival and development of the online film. In the text, based on the analysis of the works of online film, this paper probes into the text characteristics of online film from three aspects: the theme, narrative strategy and language of online film by using the relevant theories of narratology. Then it studies the subject of online film acceptance, summarizes the demographic characteristics and acceptance behavior of the subject, and probes into the new aesthetic experience brought about by the way of accepting the active participation of online film. This paper expounds four different receptive psychology of online film, and makes a comprehensive analysis of the characteristics of the receiving subject of online film. Based on the analysis and summary of the text and acceptance, the paper finally puts forward the development suggestions of "enriching the theme of the works, improving the picture quality, improving the depth of thought and paying attention to the interactive works" for the development of the network film. In order to enlighten the healthy development of online film.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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