當(dāng)代中國(guó)電影狐妖形象呈現(xiàn)方式
發(fā)布時(shí)間:2019-04-22 17:59
【摘要】:正一、雙重視角聚焦下狐妖的女性身體想象熱奈特提出"聚焦(focalisation)"的概念。并將其分為"零聚焦""內(nèi)聚焦"與"外聚焦"三類聚焦模式,銀幕形象在不同的聚焦模式中顯現(xiàn)各異的建構(gòu)模式。[1]在消費(fèi)文化語(yǔ)境下,身體這個(gè)概念具有豐富的文化內(nèi)涵與外延,它已經(jīng)不僅僅屬于自身,身體還往往與消費(fèi)有著千絲萬(wàn)縷的聯(lián)系。"在消費(fèi)社會(huì)的全套裝備中,有一種比其他一切都更美麗、更珍貴、更光彩奪目的物品……這便是身體……今天的一切都
[Abstract]:On the one hand, Genette puts forward the concept of "focusing (focalisation)" by focusing on the female body imagination of the fox demon from a dual perspective. And it is divided into "zero focus", "internal focus" and "external focus" three focusing modes, the screen image in different focusing modes show different construction patterns. [1] in the context of consumer culture, The concept of body is rich in cultural connotation and extension. It has not only belongs to itself, but also has an inextricable connection with consumption. " In the consumer society, there is a more beautiful, more precious, more dazzling item than everything else. This is the body. Everything today
【作者單位】: 西安工程大學(xué)藝術(shù)工程學(xué)院;
【分類號(hào)】:J905
本文編號(hào):2463062
[Abstract]:On the one hand, Genette puts forward the concept of "focusing (focalisation)" by focusing on the female body imagination of the fox demon from a dual perspective. And it is divided into "zero focus", "internal focus" and "external focus" three focusing modes, the screen image in different focusing modes show different construction patterns. [1] in the context of consumer culture, The concept of body is rich in cultural connotation and extension. It has not only belongs to itself, but also has an inextricable connection with consumption. " In the consumer society, there is a more beautiful, more precious, more dazzling item than everything else. This is the body. Everything today
【作者單位】: 西安工程大學(xué)藝術(shù)工程學(xué)院;
【分類號(hào)】:J905
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