電影《嚎叫》的去神秘化：對(duì)“垮掉一代”及其詩歌的全景式敘事
發(fā)布時(shí)間：2019-04-10 17:34
【摘要】：艾倫·金斯伯格（1926-1997）是上個(gè)世紀(jì)美國文壇“垮掉一代”的代表詩人，其長篇詩作《嚎叫》在20世紀(jì)的美國詩壇占有舉足輕重的地位。2010年，一部由羅伯·愛潑斯坦執(zhí)導(dǎo)的以金斯伯格代表詩作《嚎叫》為藍(lán)本的同名電影《嚎叫》，，讓這位活著時(shí)備受爭議的垮掉派詩人又重回人們視野。影片沒有線性地去追述艾倫·金斯伯格的一生，而是聚焦他在50年代的經(jīng)歷，圍繞《嚎叫》誕生而展開。對(duì)《嚎叫》這首極具50年代時(shí)代特色質(zhì)感的詩的動(dòng)畫演繹，圍繞《嚎叫》的出版直接反映出那個(gè)時(shí)代價(jià)值觀有力碰撞的官司，和對(duì)金斯伯格本人多次采訪的數(shù)據(jù)收集是影片的三個(gè)重要組成部分，配以朗誦的經(jīng)典畫面和爵士樂的背景音樂，成為該影片跳出一般傳紀(jì)片窠臼的獨(dú)特魅力和成功之處。本文將從以上五個(gè)部分及其有力的融合分析該影片是怎樣相對(duì)真實(shí)地再現(xiàn)了“垮掉一代”的時(shí)代背景以及怎樣通過這種形式的再現(xiàn)成功地使觀者愿意并能夠去了解并理解那個(gè)時(shí)代和那個(gè)時(shí)代的人。 論文首先從影片對(duì)《嚎叫》一詩的再現(xiàn)方式切入分析。毫無疑問，《嚎叫》是對(duì)當(dāng)時(shí)整個(gè)時(shí)代背景的真實(shí)寫照，作為貫穿整部影片的主線，黑白畫面中金斯伯格在“六畫廊”酒吧的朗誦和極具后現(xiàn)代感的以詩為藍(lán)本的動(dòng)畫插入分別從抽象和具象全方位詮釋了《嚎叫》一詩，配以爵士為背景音樂，從而再現(xiàn)了縮影背后的時(shí)代背景。其次，以關(guān)于《嚎叫》一詩內(nèi)容是否“淫穢”而引起的官司為著眼點(diǎn)，透過證詞加深對(duì)詩的理解。法庭上對(duì)這首詩的審判實(shí)質(zhì)上是整個(gè)社會(huì)對(duì)邊緣文化的審視，是垮掉派文學(xué)努力使自己合法化的過程，而《嚎叫》的無罪也預(yù)示著“垮掉”文化的邁進(jìn)。最后，通過分析對(duì)金斯伯格的個(gè)人訪問，再現(xiàn)其重要生平事跡和思想歷程，同時(shí)通過了解“垮掉一代”的代表人物更好地認(rèn)識(shí)理解那個(gè)時(shí)代。 端于20世紀(jì)50年代的美國“垮掉一代”文學(xué)思潮影響至今，該影片是對(duì)詩歌《嚎叫》的精彩詮釋，更是對(duì)以金斯伯格為代表的“垮掉”文學(xué)的重新探索，引發(fā)了更多的人去重讀金斯伯格，重讀“垮掉一代”。
[Abstract]:Alan Ginsberg (1926 / 1997) is a representative poet of the "broken generation" in the American literary world in the last century. His long poem howl plays an important role in American poetry in the 20th century. In 2010, A film of the same name, based on Ginsberg's representative poem howl, directed by Rob Epstein, brings the controversial, crumbling poet back to life. Instead of linearly recounting Allen Ginsberg's life, the film focuses on his experience in the 1950s and revolves around the birth of howl. The animated interpretation of "howl", a poem with a special texture of the 1950s, revolved around the publication of howl, which directly reflected the case of the powerful collision of values in that era. The data collection and interviews with Ginsberg himself are three important components of the film, combined with a classic picture of recitation and jazz background music, making it a unique charm and success for the film to jump out of the conventional chronograph pattern. From the above five parts and their powerful fusion, this paper will analyze how the film reproduces the background of the era of the "broken Generation" relatively truly and how to make the viewer willing and able to go through this form of reproduction. Understand and understand the times and the people of that era. The paper begins with the analysis of the reappearance of "howl" poem in the film. There is no doubt that howling is a true portrayal of the background of the time at that time, as the main line throughout the film. In the black-and-white screen, Ginsberg's recitation at the "six galleries" bar and the highly post-modern animated insertion of poetry-based animations interpret the "howl" poem in all directions from the abstract and the concrete, with jazz as the background music. Thus reappear the background of the times behind the microcosm. Secondly, focusing on the lawsuit about whether the content of "howl" is "obscene", we can deepen our understanding of the poem by testimonies. The trial of this poem in court is essentially the examination of the marginal culture of the whole society, the process of the collapse literature trying to legalize itself, and the innocence of howling also indicates the progress of the "collapse" culture. Finally, through the analysis of the personal visit to Ginsberg, the author reproduces his important life story and thought course, at the same time, through the understanding of the representative characters of the "broken generation", we can better understand the era. The "broken Generation" literary trend of thought in the United States, which originated in the 1950s, is a wonderful interpretation of poetry "howling" and a re-exploration of the "broken" literature represented by Ginsberg. Triggered more people to re-read Ginsberg, re-read the "broken Generation."
【學(xué)位授予單位】：四川外國語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
本文編號(hào)：2455993
[Abstract]:Alan Ginsberg (1926 / 1997) is a representative poet of the "broken generation" in the American literary world in the last century. His long poem howl plays an important role in American poetry in the 20th century. In 2010, A film of the same name, based on Ginsberg's representative poem howl, directed by Rob Epstein, brings the controversial, crumbling poet back to life. Instead of linearly recounting Allen Ginsberg's life, the film focuses on his experience in the 1950s and revolves around the birth of howl. The animated interpretation of "howl", a poem with a special texture of the 1950s, revolved around the publication of howl, which directly reflected the case of the powerful collision of values in that era. The data collection and interviews with Ginsberg himself are three important components of the film, combined with a classic picture of recitation and jazz background music, making it a unique charm and success for the film to jump out of the conventional chronograph pattern. From the above five parts and their powerful fusion, this paper will analyze how the film reproduces the background of the era of the "broken Generation" relatively truly and how to make the viewer willing and able to go through this form of reproduction. Understand and understand the times and the people of that era. The paper begins with the analysis of the reappearance of "howl" poem in the film. There is no doubt that howling is a true portrayal of the background of the time at that time, as the main line throughout the film. In the black-and-white screen, Ginsberg's recitation at the "six galleries" bar and the highly post-modern animated insertion of poetry-based animations interpret the "howl" poem in all directions from the abstract and the concrete, with jazz as the background music. Thus reappear the background of the times behind the microcosm. Secondly, focusing on the lawsuit about whether the content of "howl" is "obscene", we can deepen our understanding of the poem by testimonies. The trial of this poem in court is essentially the examination of the marginal culture of the whole society, the process of the collapse literature trying to legalize itself, and the innocence of howling also indicates the progress of the "collapse" culture. Finally, through the analysis of the personal visit to Ginsberg, the author reproduces his important life story and thought course, at the same time, through the understanding of the representative characters of the "broken generation", we can better understand the era. The "broken Generation" literary trend of thought in the United States, which originated in the 1950s, is a wonderful interpretation of poetry "howling" and a re-exploration of the "broken" literature represented by Ginsberg. Triggered more people to re-read Ginsberg, re-read the "broken Generation."
【學(xué)位授予單位】：四川外國語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前4條
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2 王洋;;來自底層文化的“嚎叫”——評(píng)析電影《嚎叫》[J];電影文學(xué);2012年19期
3 謝坦;;由喬納·拉斯金的《美國吶喊》回首金斯堡及其《嚎叫》[J];外國語言文學(xué);2012年03期
4 肖明翰;垮掉的一代的反叛與探索[J];外國文學(xué)評(píng)論;2000年02期
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