【摘要】：中國(guó)題材紀(jì)錄片本身處于一個(gè)中國(guó)形象的視覺(jué)/聽覺(jué)系統(tǒng)之中,包含在中國(guó)形象視覺(jué)/聽覺(jué)史的邏輯中,在中國(guó)形象的國(guó)際傳播中處于獨(dú)特的地位。紀(jì)錄片對(duì)中國(guó)形象不斷位移的表述滲透著多重認(rèn)同關(guān)系,所面臨的他者塑造與自我認(rèn)同等困境正來(lái)自于中國(guó)形象的控制性關(guān)系以及話語(yǔ)權(quán)力場(chǎng)域的張力。在跨文化語(yǔ)境下,中國(guó)形象的表達(dá)結(jié)構(gòu)、生產(chǎn)機(jī)制以及意義過(guò)程必然是在相互作用中才能夠得以確定。面對(duì)官方、民間和西方多重話語(yǔ)空間,中國(guó)形象尋求的正是對(duì)話性話語(yǔ)空間的生成與多重話語(yǔ)空間互為建構(gòu)的可能性。
[Abstract]:Chinese documentary itself is in a visual / auditory system of Chinese image, contained in the logic of visual / auditory history of Chinese image, and is in a unique position in the international communication of Chinese image. The continuous displacement of Chinese images in documentary films permeates the relationship of multiple identities. The dilemma of shaping and self-identification of the Chinese image comes from the controlling relationship of the Chinese image and the tension of the discourse power field. In the context of cross-culture, the expression structure, production mechanism and meaning process of Chinese image must be determined by interaction. Facing the official, folk and western multi-discourse space, the image of China seeks the possibility of the generation of dialogue discourse space and the mutual construction of multi-discourse space.
【作者單位】： 南開大學(xué)文學(xué)院;
【基金】：2015年國(guó)家社科基金一般項(xiàng)目“基于紀(jì)錄片的我國(guó)主流意識(shí)形態(tài)話語(yǔ)體系構(gòu)建與傳播研究”(15BXW026)
【分類號(hào)】：J952

【參考文獻(xiàn)】

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1 趙曦;趙丹e，

本文編號(hào)：2449126