基于薩特存在主義對《我們生來就是孤獨》人物表達研究
發(fā)布時間：2018-11-19 17:31
【摘要】：薩特作為20世紀最具代表性的哲學家之一,其提出的存在主義哲學思想對現(xiàn)當代哲學界都產(chǎn)生了深厚的影響,而這影響也慢慢滲透于文學、戲劇、影視、繪畫、音樂等多種領(lǐng)域。我組以薩特存在主義為理論基礎(chǔ),創(chuàng)作了《我們生來就是孤獨》這部微電影,影片貼近現(xiàn)年齡段,是以真實生活經(jīng)歷為創(chuàng)作來源,反映年輕人浮躁、空虛的生活狀態(tài)的影片。本文根據(jù)對薩特戲劇主體特征的研究及分析,結(jié)合影片實際內(nèi)容,將戲劇角色的主體特征在我組作品中人物形象上的體現(xiàn),舞臺空間設(shè)置對影片的影響進行更深度的闡述和解析,在人物形象設(shè)置及行為動作表達中體現(xiàn)了薩特存在主義的主要內(nèi)容：存在先于本質(zhì)、自由理論。薩特自由觀所包含的內(nèi)容：自由、選擇、責任。通過對人物的分析,來一一解讀薩特存在主義哲學思想在影片中的體現(xiàn)、對人物形象的填充,由此引出本片所要表達的中心思想。本文一共包含了四章內(nèi)容：第一章從大體上來闡述了課題研究的意義,國內(nèi)外研究現(xiàn)狀以及研究的重點難點和主要工作；第二章簡要的概述了薩特的存在主義哲學,“存在先于本質(zhì)”的基本原則和對于“自由選擇”的解讀；第三章研究分析了薩特戲劇的主體特征,包括戲劇角色表現(xiàn)出的主體特征和舞臺空間對戲劇表現(xiàn)的影響；第四章結(jié)合我組影片,解析了存在主義在影片人物形象中的體現(xiàn),包括對人物身份選擇的思考和對人物行為的解讀,還有對主要角色更加詳細的人物分析。
[Abstract]:As one of the most representative philosophers in the 20th century, Sartre's philosophy of existentialism has exerted a profound influence on modern and contemporary philosophy, which has gradually penetrated into literature, drama, film and television, and painting. Music and other fields. On the basis of Sartre existentialism, our group has created "We are born alone", which is close to the present age. It is based on real life experience and reflects the impetuous and empty life of young people. Based on the research and analysis of the main features of Sartre's drama and the actual content of the film, this paper presents the main features of the dramatic characters in my group works. The impact of stage space settings on the film is further elaborated and analyzed. The main content of Sartre's existentialism is embodied in the characters' image setting and action expression: existence precedes the essence and the theory of freedom. The content of Sartre's concept of freedom: freedom, choice, responsibility. Through the analysis of the characters, this paper interprets the embodiment of Sartre's philosophy of existentialism in the film and the filling of the characters' images, which leads to the central idea to be expressed in this film. This paper contains four chapters: the first chapter from a general point of view of the significance of the subject, the status of domestic and foreign research, as well as the key and difficult points of the study and the main work; The second chapter gives a brief overview of Sartre's existential philosophy, the basic principle of "being before nature" and the interpretation of "free choice". The third chapter analyzes the main features of Sartre's drama, including the main features of the role of drama and the impact of stage space on the performance of the drama. The fourth chapter analyzes the embodiment of existentialism in the character image of the film, including the reflection of the character identity selection and the interpretation of the character behavior, as well as the more detailed character analysis of the main characters.
【學位授予單位】：西南交通大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J905
本文編號：2342957
[Abstract]:As one of the most representative philosophers in the 20th century, Sartre's philosophy of existentialism has exerted a profound influence on modern and contemporary philosophy, which has gradually penetrated into literature, drama, film and television, and painting. Music and other fields. On the basis of Sartre existentialism, our group has created "We are born alone", which is close to the present age. It is based on real life experience and reflects the impetuous and empty life of young people. Based on the research and analysis of the main features of Sartre's drama and the actual content of the film, this paper presents the main features of the dramatic characters in my group works. The impact of stage space settings on the film is further elaborated and analyzed. The main content of Sartre's existentialism is embodied in the characters' image setting and action expression: existence precedes the essence and the theory of freedom. The content of Sartre's concept of freedom: freedom, choice, responsibility. Through the analysis of the characters, this paper interprets the embodiment of Sartre's philosophy of existentialism in the film and the filling of the characters' images, which leads to the central idea to be expressed in this film. This paper contains four chapters: the first chapter from a general point of view of the significance of the subject, the status of domestic and foreign research, as well as the key and difficult points of the study and the main work; The second chapter gives a brief overview of Sartre's existential philosophy, the basic principle of "being before nature" and the interpretation of "free choice". The third chapter analyzes the main features of Sartre's drama, including the main features of the role of drama and the impact of stage space on the performance of the drama. The fourth chapter analyzes the embodiment of existentialism in the character image of the film, including the reflection of the character identity selection and the interpretation of the character behavior, as well as the more detailed character analysis of the main characters.
【學位授予單位】：西南交通大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J905
【參考文獻】
相關(guān)期刊論文 前1條
1 袁翠蓮;;試論薩特存在主義的絕對自由觀以及承擔責任的絕對性——讀《存在主義是一種人道主義》[J];吉林廣播電視大學學報;2014年05期
，本文編號：2342957
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