發(fā)布時(shí)間：2018-11-10 11:50

【摘要】：本文從紀(jì)錄片藝術(shù)文本創(chuàng)作的角度出發(fā),對口述歷史文獻(xiàn)紀(jì)錄片《大魯藝》的敘事創(chuàng)作以及視聽語言等影片藝術(shù)文本的建構(gòu)方式及特點(diǎn)進(jìn)行分析與研究。紀(jì)錄片《大魯藝》通過群體口述的表達(dá)方式,以七十年前延安魯迅藝術(shù)學(xué)院的發(fā)展為敘事切入點(diǎn),對其從“小魯藝,,走向“大魯藝”的成長壯大歷程進(jìn)行全景式描述,可謂一部魯藝的成長小史�！洞篝斔嚒吩跀⑹鰵v史的過程中,還運(yùn)用各種表現(xiàn)手法,將魯藝人創(chuàng)作的《黃河大合唱》、《白毛女》等很多經(jīng)典作品進(jìn)行了立體化的展示,為觀眾打開一幅波瀾壯闊的青春歷史畫卷,它不僅是對一段偉大歷史的緬懷,更是一種對現(xiàn)實(shí)藝術(shù)創(chuàng)作的關(guān)照。與近年的其他同類作品相比,紀(jì)錄片《大魯藝》無論是在影片的題材內(nèi)容的選擇上,還是精神內(nèi)涵的表達(dá)上,都顯示出其獨(dú)特的藝術(shù)特點(diǎn)與審美情趣,尤其是對影片主旨思想的表達(dá)體現(xiàn)出其創(chuàng)作團(tuán)隊(duì)匠心獨(dú)運(yùn)的創(chuàng)作觀念與審美取向。本文以紀(jì)錄片《大魯藝》為案例,深入的分析研究其題材選擇、思想表達(dá)、敘事創(chuàng)作、視聽語言系統(tǒng)特色等影片藝術(shù)文本的創(chuàng)作特點(diǎn),從中總結(jié)出本片的藝術(shù)創(chuàng)作規(guī)律及原則。 本文依照紀(jì)錄片創(chuàng)作的順序邏輯分為緒論、敘事文本、影像表現(xiàn)方式、聲音表現(xiàn)方式以及對影片的思考總結(jié)五個(gè)章節(jié),從紀(jì)錄片本體藝術(shù)創(chuàng)作的角度,從不同的層面角度對《大魯藝》的藝術(shù)創(chuàng)作特點(diǎn)進(jìn)行研究,并對作品中所體現(xiàn)出的優(yōu)缺點(diǎn)進(jìn)行了總結(jié)分析。 第一章緒論對本課題的研究總方向進(jìn)行闡述。首先,闡述了選題的研究背景、研究內(nèi)容、研究意義以及研究方案；其次,對紀(jì)錄片《大魯藝》的影片內(nèi)容、創(chuàng)作背景、播出效果及熱播原因進(jìn)行歸納性分析,夯實(shí)本文的研究基礎(chǔ)。第二章,則從紀(jì)錄片敘事學(xué)的角度對《大魯藝》的創(chuàng)作藝術(shù)特色進(jìn)行分析。從影片文本出發(fā),對拍攝素材的選取、文本結(jié)構(gòu)的構(gòu)建、題材的定位、主題的表達(dá)等影片的敘事構(gòu)建內(nèi)容一一進(jìn)行解析,并在對其敘事策略與敘事方式的分析研究過程中,梳理歸納出《大魯藝》獨(dú)特的敘事構(gòu)建理念和表現(xiàn)手段。第三章和第四章則從視聽語言的角度,對紀(jì)錄片《大魯藝》的影像表現(xiàn)方式和聲音表現(xiàn)方式進(jìn)行深度的讀解。第五章是對《大魯藝》藝術(shù)文本創(chuàng)作的思考與總結(jié),肯定了影片題材主題的選擇符合當(dāng)下主流文化市場的需求,并指出影片在史實(shí)考證及歷史真實(shí)的還原程度這些問題中所面臨的問題。
[Abstract]:From the angle of artistic text creation of documentary, this paper analyzes and studies the narrative creation of oral historical documentary "Da Lu Art", as well as the construction and characteristics of the artistic text of films such as audio-visual language and so on. The documentary "Da Lu Art" through the group oral expression, with the development of Yan'an Lu Xun Art College 70 years ago as the narrative breakthrough point, from "small Lu Art," to "Da Lu Art" growth process of a panoramic description. It can be described as a small history of Lu's growth. In the process of describing the history, "Da Lu Yi" also used a variety of expressive techniques to display many classic works, such as "Yellow River Chorus", "White hair Girl" and so on, created by Lu artists. Opening up a magnificent picture of youth history for the audience, it is not only a period of memory of a great history, but also a care for realistic art creation. Compared with other similar works in recent years, the documentary "Da Lu Art" shows its unique artistic characteristics and aesthetic interest both in the choice of its subject matter content and in the expression of its spiritual connotation. Especially, the expression of the main idea of the film reflects the creative idea and aesthetic orientation of its creative team. In this paper, the documentary "Da Lu Art" as a case, in-depth analysis and study of its theme selection, ideological expression, narrative creation, audio-visual language system features of the film's artistic text creation characteristics, summed up the art of this film's art creation laws and principles. According to the sequence logic of documentary creation, this paper is divided into five chapters: introduction, narrative text, image expression, sound expression and thinking about the film. This paper studies the artistic creation characteristics of Da Lu Art from different angles, and summarizes and analyzes the advantages and disadvantages of the works. The first chapter introduces the general research direction of this topic. First of all, the research background, research content, research significance and research plan are expounded. Secondly, the film content, creation background, broadcast effect and popular reason of documentary film "Da Lu Art" are summarized and analyzed, so as to consolidate the research foundation of this paper. The second chapter analyzes the artistic characteristics of Da Lu Art from the perspective of documentary narratology. Starting from the film text, this paper analyzes the narrative construction content of the film, such as the selection of the shooting material, the construction of the text structure, the positioning of the subject matter, the expression of the theme, and so on, and in the process of analyzing and researching its narrative strategy and narrative mode, Combing out the unique narrative construction idea and expression means of Da Lu Art. The third and fourth chapters, from the perspective of audio-visual language, the documentary film "Da Lu Art" image expression and sound expression of the depth of interpretation. The fifth chapter is the reflection and summary of the artistic text creation of "Da Lu Art", which confirms that the choice of the theme of the film is in line with the needs of the mainstream cultural market. It also points out the problems faced by the film in historical research and historical truthfulness.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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