【摘要】：李安作為多次奪得國(guó)際電影大獎(jiǎng)的華人導(dǎo)演，其電影中蘊(yùn)含著豐富的人文精神和文化品格。在他的電影中，父親形象一直是一個(gè)鮮明而帶有豐富意指的文化形象，這一形象的塑造，與李安受到的臺(tái)灣電影的影響息息相關(guān)。一直以來，臺(tái)灣家庭倫理劇在臺(tái)灣電影中占有重要地位，其中“父親”也是其中一重要形象，父親形象經(jīng)歷了初步建構(gòu)、解構(gòu)、重新建立期。李安電影中的父親繼承并發(fā)展了這一脈絡(luò)。 論文分為三部分。在“緒論”中，主要是對(duì)李安的創(chuàng)作歷程進(jìn)行概述，并對(duì)近代臺(tái)灣家庭倫理電影發(fā)展史、父親形象的演變進(jìn)行簡(jiǎn)單梳理。第一章，初步闡釋父親形象，分別從傳統(tǒng)語境下看父親形象的傳統(tǒng)性、父權(quán)衰落背景下父親形象的式微和在鴻溝和代溝之間父親形象的演變。第二章立足父子/父女關(guān)系，首先父子關(guān)系經(jīng)歷了由沖突到和解的過程，矛盾的化解既有兒子的認(rèn)同，更多來源于父親的妥協(xié)；父女中，，父女關(guān)系則較為溫和，由最初的代溝逐漸走向?qū)υ挘詈髮?shí)現(xiàn)了和解。父子/父女關(guān)系都與李安對(duì)于父親的感情息息相關(guān)。最后一章探究父親形象的文化意蘊(yùn)，首先，父親形象不僅體現(xiàn)了李安自身的認(rèn)同困惑，也是他尋求身份認(rèn)同的努力；其次，父親折射出離散化人對(duì)于“文化中國(guó)”想象及李安對(duì)于傳統(tǒng)文化的守望；再次，也表達(dá)了李安對(duì)于家庭倫理的思考；第四，從文化品格方面看，父親形象折射了中國(guó)人的傳統(tǒng)人文品格：和、禮、斂。
[Abstract]:As a Chinese director who has won international film awards many times, Ang Lee's films contain rich humanistic spirit and cultural character. In his films, the father image has always been a vivid and rich cultural image, which is closely related to Ang Lee's influence on Taiwan films. For a long time, Taiwanese family ethics plays an important role in Taiwanese films, among which "Father" is one of the important images. The father image has undergone a preliminary construction, deconstruction, and re-establishment period. Lee's father in the film inherited and developed this thread. The paper is divided into three parts. In introduction, it mainly summarizes Lee's creative history, and briefly combs the history of the development of Taiwan's family ethics film and the evolution of his father's image. In the first chapter, the author explains the father image, and looks at the tradition of the father image from the traditional context, the decline of the father image under the background of the decline of the patriarchal power and the evolution of the father image between the gap and the generation gap. The second chapter is based on the relationship between father and son. Firstly, the relationship between father and son goes through the process from conflict to reconciliation. Among the father and daughter, the father-daughter relationship is more moderate, gradually from the initial generation gap to dialogue, and finally achieved reconciliation. Father-son / father-daughter relationship is closely related to Ang Lee's affection for his father. The last chapter explores the cultural implications of the father image. Firstly, the father image not only reflects Lee's identity confusion, but also his efforts to seek identity. Secondly, the father reflects the discrete person's imagination of "cultural China" and Ang Lee's watch over the traditional culture, third, he also expresses Lee's thoughts on family ethics. Fourth, from the aspect of cultural character, the father image reflects the Chinese traditional humanistic character: harmony, ceremony, convergence.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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