數(shù)字音頻工作站技術(shù)對(duì)影視聲音創(chuàng)作的影響
發(fā)布時(shí)間：2018-11-09 12:51
【摘要】：技術(shù)是由人創(chuàng)造的，也是其“本質(zhì)力量的對(duì)象化”。在大英百科全書（EncyclopediaBritannica）中，藝術(shù)的定義為“憑借技巧、意愿、想象力、經(jīng)驗(yàn)等綜合人為因素的融合與平衡以創(chuàng)作隱含美學(xué)的器物、環(huán)境、影像、動(dòng)作或聲音的表達(dá)模式，以指和他人分享美的或有深意的情感與意識(shí)的人類用以表達(dá)既有感知的且將個(gè)人或群體體驗(yàn)沉淀與展現(xiàn)的過(guò)程”。說(shuō)明藝術(shù)的展現(xiàn)過(guò)程不僅與技巧、意愿、想象力和經(jīng)驗(yàn)這些人為因素有關(guān)，還和創(chuàng)作者的表達(dá)模式有關(guān)。由此可見，藝術(shù)的主體和技術(shù)的主體都是人。作為技術(shù)和藝術(shù)的重要紐帶，人的思維和行為在其中起到十分重要的作用。技術(shù)和藝術(shù)的相互促進(jìn)與融合，一直伴隨著人類文明的發(fā)展；這之間的爭(zhēng)論，也在理論的長(zhǎng)河中時(shí)常浮現(xiàn)。 影視聲音創(chuàng)作，即指影視創(chuàng)作主體通過(guò)對(duì)影視作品的理解，對(duì)其中所需要的音樂(lè)、音效及人聲進(jìn)行的聲音綜合造型設(shè)計(jì)和制作，最后配合畫面形成完整的影視作品。在影視作品創(chuàng)作過(guò)程中，數(shù)字音頻工作站不僅能提供影視作品當(dāng)中聲音制作所需的全部功能以及聲音的分解以及綜合質(zhì)量保證，而且比傳統(tǒng)音頻制作更直觀、更精確、更有效。相比于以往的技術(shù)手段，工作站技術(shù)的出現(xiàn)對(duì)創(chuàng)作的環(huán)境、過(guò)程、創(chuàng)作者的創(chuàng)作手段、對(duì)象、創(chuàng)作觀念，甚至影響到了創(chuàng)作者如何給自己的創(chuàng)作行為下定義。數(shù)字音頻工作站技術(shù)在創(chuàng)作的過(guò)程中可以提高工作效率，使從業(yè)者從繁瑣的重復(fù)工作當(dāng)中解脫出來(lái)，它提升了制作過(guò)程當(dāng)中的精確程度，不但促進(jìn)了影視藝術(shù)的多元化，還使更多人可以真正的參與到制作環(huán)節(jié)中。但盡管是這樣，工作站技術(shù)對(duì)創(chuàng)作的阻礙作用也是十分明顯的：工作站帶來(lái)的便利使人們?cè)黾恿藢?duì)技術(shù)的依賴，，照本宣科的填鴨式教育遏制了創(chuàng)作者的靈感，大量的復(fù)制帶來(lái)了影視作品中聲音的雷同化我們必須理性的對(duì)待數(shù)字音頻工作站技術(shù)給我們帶來(lái)的影響。
[Abstract]:Technology is created by man and is the objectification of its essential power. In the Encyclopedia Britannica (EncyclopediaBritannica), art is defined as "the combination and balance of human factors, such as skill, will, imagination, experience, etc., to create an implicit aesthetic expression of objects, environments, images, movements, or sounds." It refers to the process by which human beings share beauty or deep feelings and consciousness with others to express what is perceived and to precipitate and manifest personal or group experiences. " It shows that the process of artistic expression is not only related to artistry, will, imagination and experience, but also to the expression pattern of the creator. Thus, the subject of art and the subject of technology are people. As an important link between technology and art, people's thinking and behavior play a very important role. The mutual promotion and integration of technology and art have been accompanied by the development of human civilization. Film and television sound creation means that the main body of film and television works through the understanding of the film and television works, the music, sound effects and human voice for which the sound comprehensive design and production, finally with the screen to form a complete film and television works. In the process of film and television creation, digital audio workstation can not only provide all the functions required for sound production in film and television works, but also provide the decomposition and comprehensive quality assurance of sound, and is more intuitive, accurate and effective than traditional audio production. Compared with the previous technical means, the emergence of workstation technology on the creation of the environment, process, creative means, objects, creative ideas, and even affect how the creators define their own creative behavior. Digital audio workstation technology can improve work efficiency in the process of creation, so that practitioners can free themselves from tedious repeated work. It enhances the accuracy of the production process, and not only promotes the diversity of film and television art, Also enable more people to really participate in the production process. But even so, workstation technology is also an obvious hindrance to creativity: workstation facilities increase people's dependence on technology, and script-feeding education stifles creators' inspiration. A large number of replicas have brought about the same sound in film and television. We must treat the influence of digital audio workstation technology to us rationally.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J933
本文編號(hào)：2320468
[Abstract]:Technology is created by man and is the objectification of its essential power. In the Encyclopedia Britannica (EncyclopediaBritannica), art is defined as "the combination and balance of human factors, such as skill, will, imagination, experience, etc., to create an implicit aesthetic expression of objects, environments, images, movements, or sounds." It refers to the process by which human beings share beauty or deep feelings and consciousness with others to express what is perceived and to precipitate and manifest personal or group experiences. " It shows that the process of artistic expression is not only related to artistry, will, imagination and experience, but also to the expression pattern of the creator. Thus, the subject of art and the subject of technology are people. As an important link between technology and art, people's thinking and behavior play a very important role. The mutual promotion and integration of technology and art have been accompanied by the development of human civilization. Film and television sound creation means that the main body of film and television works through the understanding of the film and television works, the music, sound effects and human voice for which the sound comprehensive design and production, finally with the screen to form a complete film and television works. In the process of film and television creation, digital audio workstation can not only provide all the functions required for sound production in film and television works, but also provide the decomposition and comprehensive quality assurance of sound, and is more intuitive, accurate and effective than traditional audio production. Compared with the previous technical means, the emergence of workstation technology on the creation of the environment, process, creative means, objects, creative ideas, and even affect how the creators define their own creative behavior. Digital audio workstation technology can improve work efficiency in the process of creation, so that practitioners can free themselves from tedious repeated work. It enhances the accuracy of the production process, and not only promotes the diversity of film and television art, Also enable more people to really participate in the production process. But even so, workstation technology is also an obvious hindrance to creativity: workstation facilities increase people's dependence on technology, and script-feeding education stifles creators' inspiration. A large number of replicas have brought about the same sound in film and television. We must treat the influence of digital audio workstation technology to us rationally.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J933
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 陳越紅;裴磊;;電影聲音技術(shù):人類思維的外化顯現(xiàn)[J];北京電影學(xué)院學(xué)報(bào);2008年03期
2 宋奕勤;;論數(shù)字化技術(shù)對(duì)藝術(shù)設(shè)計(jì)的影響[J];科技創(chuàng)業(yè)月刊;2008年11期
3 潘俊;科學(xué)技術(shù)對(duì)藝術(shù)設(shè)計(jì)的影響[J];湖北廣播電視大學(xué)學(xué)報(bào);2002年01期
本文編號(hào)：2320468
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