電影中的構(gòu)成主義
發(fā)布時(shí)間：2018-10-26 12:02
【摘要】：本文是阿里克謝·甘(Alexei Gan)為構(gòu)成主義建筑雜志《當(dāng)代建筑》(SA)撰寫的文章,這篇宣言與刊登在《LEF》(LEF)雜志上的構(gòu)成主義電影寫作宣言中的觀點(diǎn)有很多相似之處。甘在文章中把愛斯特爾·舒伯的《偉大前程》作為個(gè)案,認(rèn)為該片是通過建構(gòu)電影文獻(xiàn)、創(chuàng)作無演員電影來揭示革命真相的典型作品。電影制作中,舒伯開創(chuàng)性地對(duì)已拍攝的鏡頭進(jìn)行剪輯。
[Abstract]:This article is written by Alexei (Alexei Gan) for the architectural magazine "Contemporary Architecture" (SA). This manifesto has many similarities with the viewpoints in the "LEF > (LEF)" film writing manifesto. In his article, Gan regards Estelle Schuber's Great Future as a case study, and argues that the film is a typical work that reveals the truth of the revolution through the construction of film documents and the creation of films without actors. In the production of the film, Schuber made a groundbreaking cut of the shot.
【作者單位】： 北京聯(lián)合大學(xué);北京大學(xué)工學(xué)院;
【分類號(hào)】：J905
本文編號(hào)：2295653
[Abstract]:This article is written by Alexei (Alexei Gan) for the architectural magazine "Contemporary Architecture" (SA). This manifesto has many similarities with the viewpoints in the "LEF > (LEF)" film writing manifesto. In his article, Gan regards Estelle Schuber's Great Future as a case study, and argues that the film is a typical work that reveals the truth of the revolution through the construction of film documents and the creation of films without actors. In the production of the film, Schuber made a groundbreaking cut of the shot.
【作者單位】： 北京聯(lián)合大學(xué);北京大學(xué)工學(xué)院;
【分類號(hào)】：J905
【相似文獻(xiàn)】
相關(guān)期刊論文 前1條
1 鄭國(guó)良;構(gòu)成主義舞臺(tái)美術(shù)[J];戲劇藝術(shù);1996年03期
，本文編號(hào)：2295653
本文鏈接：http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2295653.html
教材專著
