發(fā)布時間：2018-10-25 19:16

【摘要】：青春偶像劇作為電視劇的一大主要類型，自20世紀90年代發(fā)展起來后，就吸引不少研究者的眼光，取得一些研究成果。本文力圖在總結前人研究成果的基礎上，，選擇一個新的研究視角，即女性主義的立場,綜合運用女性主義批評、符號理論以及傳播理論,從整體上把握中國青春偶像劇中存在的性別政治和沖突,從而打開中國青春偶像劇研究的另一片天地。 全文共分四個部分： 第一部分：緒論。簡要闡述本論文的研究對象、研究現(xiàn)狀以及研究方法和內容，從整體上把握研究對象，掌握研究方向。 第二部分：影像世界里的女性形象。以四部典型青春偶像劇中的女性形象作為分析對象,闡釋這些女性形象中所滲透的種種男權話語設定,揭示女性“被觀看”、“被欣賞”的處境，分析女性形象建構背后的文化意義。 第三部分：影像傳播中的性別政治。從符號學和傳播學的角度,解讀中國青春偶像劇傳播過程中的性別沖突,分析其中所隱含的欲望關系以及權力話語關系。 第四部分：鏡像認同下的偶像崇拜。主要闡述在中國青春偶像劇中偶像的形成原因和過程，進而深入闡述這些完美鏡像外衣下又隱藏著怎樣的意識形態(tài)，暗含著何種權力操縱。 結語總結中國青春偶像劇中蘊含的性別政治的特征，有針對性地指出中國青春偶像劇今后的道路，從而為我國電視劇事業(yè)乃至女性事業(yè)的進一步發(fā)展提供借鑒。
[Abstract]:As one of the major types of TV dramas, idol drama has attracted the eyes of many researchers and achieved some research results since its development in the 1990s. On the basis of summing up the previous research results, this paper tries to choose a new research perspective, that is, the standpoint of feminism, the comprehensive use of feminist criticism, symbolic theory and communication theory. To grasp the gender politics and conflict in Chinese youth idol drama as a whole, and open another world of Chinese youth idol drama research. The full text is divided into four parts: the first part: introduction. This paper briefly describes the research object, research status, research methods and contents, from the overall grasp of the research object, grasp the direction of research. The second part: the female image in the image world. Taking the female images in the four typical youth idol dramas as the analysis objects, this paper explains the various male-dominated discourse settings permeated by these female images, and reveals the situation of women being "watched" and "appreciated". Analyze the cultural significance behind the construction of female image. The third part: gender politics in image communication. From the perspective of semiotics and communication, this paper interprets the gender conflicts in the spreading process of Chinese youth idol dramas, and analyzes the implied relations of desire and power discourse. The fourth part: the idolatry under the mirror image identity. This paper mainly expounds the cause and process of the formation of idols in Chinese youth idol drama, and then expounds in depth what kind of ideology is hidden under these perfect mirror images and what kind of power manipulation is implied. The conclusion summarizes the characteristics of gender politics in Chinese youth idol drama, and points out the way of Chinese youth idol drama in the future, so as to provide reference for the further development of Chinese TV drama and even women's cause.
【學位授予單位】：溫州大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905

【參考文獻】

相關期刊論文 前1條

1 楊珍;“被看的女人”——媒介傳播中女性形象的符號學批判[J];太原師范學院學報(社會科學版);2004年01期

本文編號：2294584