【摘要】：王家衛(wèi)，創(chuàng)作長達(dá)八年之久的電影作品《一代宗師》公映后，又一次成為華語影壇和國際影壇備受矚目的焦點(diǎn)。作為“香港新浪潮”催生的大師級(jí)編劇兼導(dǎo)演，他憑借極具個(gè)人特色的敘事和影像風(fēng)格，贏得無數(shù)榮譽(yù)和贊賞，并在通往電影界一代宗師的道路上繼續(xù)穩(wěn)步前行。 鑒于王家衛(wèi)的影片對(duì)未來華語影片的發(fā)展具有深刻、長久的影響力，因此本文試圖從電影學(xué)和電影符號(hào)學(xué)入手，對(duì)王家衛(wèi)的敘事以及影像風(fēng)格進(jìn)行分析和研究。全文分四章展開： 第一章對(duì)王家衛(wèi)電影的發(fā)展歷程進(jìn)行梳理：尤其是對(duì)王家衛(wèi)電影創(chuàng)作背景、題材、創(chuàng)作班底以及其電影幾個(gè)重要時(shí)期進(jìn)行分析和討論，以便呼應(yīng)其他三個(gè)章節(jié)所涉及的影片； 第二章對(duì)王家衛(wèi)影片的敘事符碼進(jìn)行解析：從色彩符碼的藝術(shù)性、物像符碼的象征性以及音樂符碼的空間性三個(gè)方面展開，結(jié)合影片對(duì)色彩的形象識(shí)別和敘事功能、構(gòu)筑物像的意義以及音樂對(duì)敘事時(shí)空的建構(gòu)功能進(jìn)行探討； 第三章對(duì)王家衛(wèi)電影的敘事策略進(jìn)行解析：從人物角色的身份特征、主觀的敘事時(shí)間、敘事中采用的非線性敘事結(jié)構(gòu)以及畫外音敘事策略入手，結(jié)合具體影片對(duì)以上四個(gè)方面進(jìn)行分析和思考； 最后一章主要論述王家衛(wèi)的電影風(fēng)格對(duì)兩岸三地新生代導(dǎo)演產(chǎn)生的具體影響，對(duì)新生代導(dǎo)演與王家衛(wèi)導(dǎo)演的共同點(diǎn)進(jìn)行闡述，，并結(jié)合具體影片從敘事價(jià)值取向和敘事結(jié)構(gòu)兩個(gè)方面探討王家衛(wèi)對(duì)他們的創(chuàng)作產(chǎn)生的啟示。
[Abstract]:Wang Jiawei, who has been producing the film for eight years, has once again become the focus of attention in both Chinese and international film circles. As a masterful screenwriter and director of the New Wave of Hong Kong, he won numerous honors and admiration for his unique narrative and video style, and continued his steady progress on the road to a generation of masters in the film world. In view of the profound and lasting influence of Wang Jiawei's films on the future development of Chinese films, this paper attempts to analyze and study the narration and image style of Wang Jiawei from the perspective of cinematology and film semiotics. The thesis is divided into four chapters: the first chapter combs the development course of Wang Jiawei's film: especially analyzes and discusses the background, subject matter, creative class and several important periods of his film. In order to echo the other three chapters of the film; The second chapter analyzes the narrative code of Wang Jiawei film from three aspects: the artistic character of color code, the symbolism of object image code and the space of music code, combined with the image recognition and narrative function of color in the film. The significance of the structure image and the function of music in constructing narrative space and time are discussed. The third chapter analyzes the narrative strategy of Wang Jiawei's film: starting with the character identity, subjective narrative time, nonlinear narrative structure and voice-over narrative strategy. Combined with the specific film to analyze and reflect on the above four aspects; The last chapter mainly discusses the specific influence of Wang Jiawei's film style on the new generation of directors in the three places across the Taiwan Strait, and expounds the common ground between the new generation of directors and the director Wang Jiawei. Combined with the specific film from the narrative value orientation and narrative structure two aspects of Wang Jiawei's inspiration to their creation.
【學(xué)位授予單位】：重慶工商大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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