【摘要】：本論文主要研究影視語言敘述表意的方式。影視語言作為不同于自然語言的一種新語言符號，，其微觀結(jié)構(gòu)、宏觀功能、表面語言形態(tài)、以及深層表意方式等，都與自然語言有著根本的差異，從而也體現(xiàn)出影視語言作為一種新語言所具有的獨特特性。 區(qū)別于抽象的自然語言，影視語言是一種形象性的視聽語言，對客觀現(xiàn)實具有最大限度的歷史記錄性，是一種在時空運動中的視聽綜合性動態(tài)語言。相對于簡單的音、意雙層分節(jié)結(jié)構(gòu)，影視語言敘述表意方式能夠通過色彩、聲音、構(gòu)圖等元素進行協(xié)調(diào)和系統(tǒng)表意，其表意元素的組合關(guān)系極具復(fù)雜性和豐富性。 論文首先介紹影視語言的概念，然后重點講述影視語言敘述的三個主要特性，并將其所具備的特性與自然語言做比較。針對于影視語言敘述表意的結(jié)構(gòu)、實現(xiàn)、和最終呈現(xiàn)效果，論文中都一一給予論證和描述。雖然在影視作品創(chuàng)作過程中并沒有規(guī)定的遵守法則，但影視語言的鏡頭組合在作品語境中需符合敘述的邏輯。目前，“影視語言敘述的表意方式”這一課題在國內(nèi)外的研究甚少，對于它的研究需要使用語言學(xué)、符號學(xué)、傳播學(xué)、電影學(xué)等學(xué)科知識進行交叉與融合。也因此，本論文基于諸上所提學(xué)科，結(jié)合學(xué)者伯格納所提敘述傳播結(jié)構(gòu)，對影視語言的敘述表意結(jié)構(gòu)和方式做深層次分析，力圖通過對影視語言敘述表意方式的研究，最終達(dá)到對影視藝術(shù)作品的審美和傳播。
[Abstract]:This paper mainly deals with the way in which the film and television language describes the English language. As a new language symbol different from natural language, the film and video language has a fundamental difference with natural language, such as its microstructure, macro-function, surface language form and deep thinking mode. It also reflects the unique characteristics of film and television as a new language. Different from the abstract natural language, the film and television language is an image-visual language, which has the greatest historical record to the objective reality, and is an audio-visual comprehensive dynamic in space-time motion. Language. With respect to simple tone, double-layer segmented structure, film and television language narration, it can be coordinated and systematic through the elements such as color, sound, composition and so on. Its combination relationship is very complex and abundant. The paper first introduces the concept of film and television language, then focuses on the three main characteristics of film and television language narration, and compares the characteristics and nature. Language is a comparison. In view of the structure, realization, and final presentation effect of the speaker in the film and television language, all the articles are given in the paper. It is proved and described. Although there are no rules of observance in the course of the creation of film and television works, the lens combination of the film and television language needs to be met in the context of the work. narrative Logic. At present, "film and television language narration" The research needs to be carried out in the fields of linguistics, semiotics, communication, film science and so on. As a result, the thesis analyzes the narrative structure and mode of the film and television language based on the research subject and the communication structure mentioned by the scholar Berner, and tries to make a description of the film and television language. A study of the manner in which a film and television work of art is finally achieved.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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中國期刊全文數(shù)據(jù)庫 前10條

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本文編號：2294434