張藝謀電影的審美訴求
發(fā)布時間：2018-10-08 10:02
【摘要】：中國電影在不斷完善電影藝術(shù)的過程中，電影與民族、文化之間的關(guān)系越顯突出。不僅體現(xiàn)于電影的精神內(nèi)涵，同時也體現(xiàn)在藝術(shù)追求與審美訴求方面。這之中，作為第五代導演的張藝謀表現(xiàn)得尤為突出。對電影的深刻思考，藝術(shù)形式的不斷創(chuàng)新是他導演的電影的鮮明特色。隨著新時期商業(yè)文化的盛行，張藝謀的電影創(chuàng)作慢慢地脫離藝術(shù)電影的文化精神。這是中國電影值得思考的文化現(xiàn)象。本文正是從審美訴求的角度對張藝謀電影進行研究，并分為四個部分進行論述： 第一章對張藝謀電影的社會效應(yīng)分析，主要從張藝謀的個人化的審美理解及價值取向，作品的文化的思考和人文關(guān)懷的角度對影片分析，其電影會帶來有效的社會效應(yīng)。 第二章對張藝謀電影的藝術(shù)性分析，通過電影作品來展現(xiàn)張藝謀的藝術(shù)追求及態(tài)度，在電影中的藝術(shù)形象的塑造以及民族化的藝術(shù)表現(xiàn)。 第三章對張藝謀電影商業(yè)性的分析，電影在商業(yè)經(jīng)濟下的轉(zhuǎn)型，電影強烈的視聽效果，娛樂化的嘗試，商業(yè)與藝術(shù)相互的融合都在張藝謀新時期的電影中一一體現(xiàn)。 第四章從審美訴求的文化審視角度研究張藝謀電影，，肯定張藝謀努力嘗試傳統(tǒng)文化與西方電影模式的多元融合。但是文化內(nèi)涵的缺失是問題所在，電影的長遠發(fā)展還是要依靠本民族文化的精神文明。
[Abstract]:In the process of perfecting Chinese film art, the relationship between film, nation and culture is more and more prominent. It is not only reflected in the spiritual connotation of the film, but also in the pursuit of art and aesthetic appeal. In this, as the fifth generation director Zhang Yimou performance is particularly prominent. The deep thinking of the film and the continuous innovation of the art form are the distinctive features of his film. With the popularity of commercial culture in the new period, Zhang Yimou's film creation slowly divorced from the cultural spirit of art film. This is a cultural phenomenon worth thinking about in Chinese films. This article is just from the aesthetic appeal angle carries on the research to Zhang Yimou's film, and divides into four parts to carry on the elaboration: the first chapter analyzes the social effect of Zhang Yimou film, From the angle of Zhang Yimou's personal aesthetic understanding and value orientation, cultural thinking and humanistic concern, the film will bring effective social effect. The second chapter analyzes the artistic nature of Zhang Yimou's film, through the film works to show the artistic pursuit and attitude of Zhang Yimou, the art image in the film and the nationalization of the artistic expression. In the third chapter, the commercial analysis of Zhang Yimou film, the transformation of the film under the commercial economy, the strong audio-visual effect of the film, the attempt of entertainment, and the fusion of business and art are all reflected in the new era films of Zhang Yimou. The fourth chapter studies Zhang Yimou's films from the angle of cultural examination of aesthetic appeal, and affirms Zhang Yimou's efforts to try his best to combine traditional culture with western film mode. However, the lack of cultural connotation is the problem. The long-term development of the film still depends on the spiritual civilization of the national culture.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J911
本文編號：2256357
[Abstract]:In the process of perfecting Chinese film art, the relationship between film, nation and culture is more and more prominent. It is not only reflected in the spiritual connotation of the film, but also in the pursuit of art and aesthetic appeal. In this, as the fifth generation director Zhang Yimou performance is particularly prominent. The deep thinking of the film and the continuous innovation of the art form are the distinctive features of his film. With the popularity of commercial culture in the new period, Zhang Yimou's film creation slowly divorced from the cultural spirit of art film. This is a cultural phenomenon worth thinking about in Chinese films. This article is just from the aesthetic appeal angle carries on the research to Zhang Yimou's film, and divides into four parts to carry on the elaboration: the first chapter analyzes the social effect of Zhang Yimou film, From the angle of Zhang Yimou's personal aesthetic understanding and value orientation, cultural thinking and humanistic concern, the film will bring effective social effect. The second chapter analyzes the artistic nature of Zhang Yimou's film, through the film works to show the artistic pursuit and attitude of Zhang Yimou, the art image in the film and the nationalization of the artistic expression. In the third chapter, the commercial analysis of Zhang Yimou film, the transformation of the film under the commercial economy, the strong audio-visual effect of the film, the attempt of entertainment, and the fusion of business and art are all reflected in the new era films of Zhang Yimou. The fourth chapter studies Zhang Yimou's films from the angle of cultural examination of aesthetic appeal, and affirms Zhang Yimou's efforts to try his best to combine traditional culture with western film mode. However, the lack of cultural connotation is the problem. The long-term development of the film still depends on the spiritual civilization of the national culture.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J911
【參考文獻】
相關(guān)期刊論文 前1條
1 羅藝軍;;三十年代電影的民族風格——在香港《探索的年代—早期中國電影》研討會上的發(fā)言[J];電影藝術(shù);1984年08期
相關(guān)博士學位論文 前1條
1 李金梅;文化研究視域中的張藝謀[D];蘇州大學;2008年
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