【摘要】：中國(guó)的社會(huì)是鄉(xiāng)土性的,這是費(fèi)孝通先生在《鄉(xiāng)土中國(guó)》里的觀點(diǎn),他認(rèn)為鄉(xiāng)村是中國(guó)道德的根基,所以任何時(shí)候城市都將鄉(xiāng)村作為最后的精神堡壘。本文中將引借這一觀點(diǎn),也以為,農(nóng)村不僅僅是人們生活發(fā)展的起源地,同時(shí)也是人們精神文明最初的來(lái)源和最后的守候。從原始社會(huì)的刀耕火種,到封建社會(huì)的耕讀傳家,數(shù)千年來(lái),中國(guó)人始終伴隨著農(nóng)耕文明繁衍生息,以致于浸染著鄉(xiāng)土氣息的生活方式,以儒家倫理道德為基礎(chǔ)的價(jià)值取向能夠在歷史長(zhǎng)河中世代相傳。但是近40年來(lái),尤其是在進(jìn)入新千年以后,隨著全球化、信息化腳步在我國(guó)大步推進(jìn),曾經(jīng)在我國(guó)發(fā)揮深遠(yuǎn)影響的儒家倫理道德文化日漸消解,以此為基礎(chǔ)的道德價(jià)值取向也在國(guó)人的觀念中發(fā)生了動(dòng)搖。在我國(guó)大力推進(jìn)精神文明建設(shè)的時(shí)代大背景下,對(duì)于農(nóng)村的道德價(jià)值取向的關(guān)注本就是一個(gè)極具現(xiàn)實(shí)意義的命題。本文首先對(duì)新世紀(jì)農(nóng)村題材電影進(jìn)行了簡(jiǎn)要的梳理,闡述了新世紀(jì)農(nóng)村題材電影的基本概況,接著從農(nóng)村道德價(jià)值取向存在的雙重困境和其存在的積極意義對(duì)新世紀(jì)農(nóng)村題材電影傳達(dá)出的道德價(jià)值取向進(jìn)行了分析,并選取了徘徊在農(nóng)村與城市之間的特殊群體——農(nóng)民工作為研究對(duì)象,分析了農(nóng)村題材電影中農(nóng)民工對(duì)道德價(jià)值取向在跨地域融合中所起到的勾連和助推作用。最后本文還對(duì)新世紀(jì)農(nóng)村題材電影中所表現(xiàn)出的道德價(jià)值取向方面的特質(zhì)以及創(chuàng)作策略進(jìn)行了簡(jiǎn)要的分析,以期能對(duì)日后的農(nóng)村題材電影的創(chuàng)作有所裨益。
[Abstract]:China's society is local, which is the view of Mr. Fei Xiaotong in "Native China". He thinks that the countryside is the foundation of Chinese morality, so cities always regard the countryside as the last spiritual fortress. From this point of view, it is believed that the countryside is not only the origin of people's life and development, but also the original source and the last waiting of people's spiritual civilization. From the slash-and-burn cultivation of primitive society to the family of feudal society, for thousands of years, the Chinese people have always been living with farming civilization, so that they have been immersed in the local style of life. The value orientation based on Confucian ethics can be passed down from generation to generation in history. However, in the past 40 years, especially after entering the new millennium, with the globalization, the pace of informatization has been greatly advanced in our country, and the Confucian ethical and moral culture, which has played a profound role in our country, has been gradually dispelled. The moral value orientation based on this has also wavered in the Chinese people's concept. Under the background of promoting the construction of spiritual civilization in our country, paying attention to the moral value orientation of the countryside is a proposition of great practical significance. Firstly, this paper briefly combs the rural films in the new century, and expounds the basic situation of the rural films in the new century. Then it analyzes the moral value orientation of rural films in the new century from the double dilemma of rural moral value orientation and the positive significance of its existence. And select a special group between rural and urban migrant workers as the object of study, and analyze the rural theme films of rural migrant workers in the cross-regional integration of moral value orientation play a role in the connection and promotion. Finally, this paper also briefly analyzes the characteristics and creative strategies of the moral value orientation in the new century rural movies, in order to be helpful to the future creation of the rural films.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J90-02

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本文編號(hào)：2214519