新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇研究
發(fā)布時(shí)間：2018-08-16 10:46
【摘要】：中國(guó)電視劇從誕生之日起至今已有50多年的歷史，電視劇在響應(yīng)黨的號(hào)召完成教化群眾的同時(shí)，兼并著娛樂(lè)和文化的功能，給中國(guó)人民帶來(lái)一種全新的精神娛樂(lè)體驗(yàn)。進(jìn)入21世紀(jì)，中國(guó)電視劇更是出現(xiàn)了井噴式的發(fā)展，每年的電視劇產(chǎn)量居高不下�？措娨暢蔀榇蟊姷钠毡榫駣蕵�(lè)方式。中國(guó)電視劇的題材種類(lèi)不斷發(fā)生變化，呈現(xiàn)出多樣化的發(fā)展趨勢(shì)。在此基礎(chǔ)上，中國(guó)軍旅題材電視劇得到了長(zhǎng)足的發(fā)展，軍旅題材電視劇在給觀眾帶來(lái)視覺(jué)享受的同時(shí)，成功宣揚(yáng)了主旋律文化，體現(xiàn)了國(guó)家的主流意識(shí)形態(tài)。隨著社會(huì)的發(fā)展，人民生活水平的提高，人們對(duì)軍旅題材電視劇的發(fā)展提出了更高層次的要求，隨之而來(lái)的是軍旅題材電視劇各種類(lèi)型的變化。因此，中國(guó)當(dāng)代軍旅題材電視劇應(yīng)運(yùn)而生。中國(guó)當(dāng)代軍旅題材電視劇接近當(dāng)下，更符合現(xiàn)代人的審美情趣，于是，，它的井噴現(xiàn)象成為一種可能。本文通過(guò)對(duì)新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇的界定梳理，發(fā)現(xiàn)其井噴發(fā)展的現(xiàn)象，通過(guò)對(duì)其主題和藝術(shù)特色分析，對(duì)新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇繁榮原因和面臨的困境進(jìn)行探討。最后論述新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇如何突圍，以及在突圍中要處理好主旋律和大眾文化之間的關(guān)系。另外需要說(shuō)明的是，本文所涉及的中國(guó)當(dāng)代軍旅題材電視劇，主要是指中國(guó)大陸的當(dāng)代軍旅題材電視劇，港澳臺(tái)地區(qū)的當(dāng)代軍旅題材電視劇鮮有，不作為本文的研究對(duì)象。 本論文共分為三個(gè)部分，第一部分為緒論，首先簡(jiǎn)單闡述中國(guó)當(dāng)代軍旅題材電視劇在我國(guó)的發(fā)展?fàn)顩r，其次對(duì)目前學(xué)術(shù)界在中國(guó)當(dāng)代軍旅題材電視劇問(wèn)題上的研究現(xiàn)狀做出綜述；最后指出文章的價(jià)值意義所在。 第二部分為本文的正文部分，分為四章。第一章，新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇概述，分為兩節(jié)。第一節(jié)，對(duì)于新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇界定，主要闡述了電視劇分類(lèi)標(biāo)準(zhǔn)，以及眾專(zhuān)家學(xué)者等對(duì)于中國(guó)當(dāng)代軍旅題材電視劇概念的闡釋?zhuān)詈鬄楸疚乃v述的中國(guó)當(dāng)代軍旅題材電視劇進(jìn)行界定；第二節(jié)，對(duì)于新世紀(jì)以來(lái)中國(guó)當(dāng)代軍旅題材電視劇在發(fā)展中呈現(xiàn)出的井噴現(xiàn)象進(jìn)行介紹。第二章，新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇主題和藝術(shù)特色分析，分為三節(jié)。第一節(jié)，主題意蘊(yùn)分析，主要從主旋律、現(xiàn)代化建設(shè)、新生代風(fēng)采三個(gè)方面展開(kāi)論述；第二節(jié)，敘事策略分析，從電視劇的人物和情節(jié)兩方面進(jìn)行分析；第三節(jié)，影像風(fēng)格分析，主要從鏡頭、喜劇元素、明星代言三個(gè)方面進(jìn)行分析。第三章，新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇繁榮原因，分為兩節(jié)。第一節(jié)，題材上的優(yōu)勢(shì)所在，從主旋律的優(yōu)越性和審核制度的寬松分析；第二節(jié)，大眾消費(fèi)文化的崛起，從市場(chǎng)效應(yīng)成為催化劑以及觀眾審美情趣的迎合的角度分析。第四章，新世紀(jì)中國(guó)當(dāng)代軍旅題材電視劇所面臨的困境和突圍，分為兩節(jié)。第一節(jié)是所面臨的困境，從創(chuàng)作禁區(qū)，類(lèi)型模式化，娛樂(lè)元素?cái)U(kuò)大化和對(duì)現(xiàn)實(shí)問(wèn)題的回避四個(gè)方面進(jìn)行分析；第二節(jié)，如何實(shí)現(xiàn)突圍，要處理好主旋律和大眾文化之間關(guān)系，要不斷突破創(chuàng)作瓶頸，在內(nèi)容和題材上要不斷創(chuàng)新，弘揚(yáng)主流價(jià)值，避免庸俗化。 第三部分是結(jié)語(yǔ)，總結(jié)一下中國(guó)當(dāng)代軍旅題材電視劇是當(dāng)代文化語(yǔ)境的產(chǎn)物，是意識(shí)形態(tài)主導(dǎo)文化在當(dāng)代多元化文化背景下主動(dòng)出擊的產(chǎn)物，指出中國(guó)當(dāng)代軍旅題材電視劇在今后創(chuàng)作中要繼續(xù)推陳出新，革故鼎新，貼近生活，貼近實(shí)際，才具有更強(qiáng)的生命力。
[Abstract]:Chinese TV plays have a history of more than 50 years since they were born. While responding to the Party's call to educate the masses, TV plays have both entertainment and cultural functions, bringing a brand-new spiritual and entertainment experience to the Chinese people. Watching TV has become a popular way of spiritual entertainment for the public. The variety of subjects of Chinese TV plays has been changing constantly, showing a diversified trend of development. With the development of society and the improvement of people's living standards, people have put forward higher requirements for the development of military TV dramas, followed by changes in various types of military TV dramas. The blowout phenomenon of TV plays on military themes in the new century has become a possibility because they are closer to the present and more in line with the aesthetic tastes of modern people. This paper combs through the definition of TV plays on military themes in the new century and finds out the blowout development phenomenon. Through the analysis of their themes and artistic features, the prosperity of TV plays on military themes in the new century will be achieved. Finally, it discusses how to break through the encirclement of contemporary Chinese military TV dramas in the new century, and how to deal with the relationship between the main theme and popular culture. TV dramas are rarely seen in Hong Kong, Macao and Taiwan.
This paper is divided into three parts. The first part is the introduction. First, it briefly expounds the development of contemporary Chinese military TV Series in China, secondly, it makes a summary of the current academic research on contemporary Chinese military TV series, and finally points out the significance of the article.
The second part is the main body of this paper, which is divided into four chapters. The first chapter is the summary of the contemporary Chinese military TV plays in the new century, which is divided into two sections. The second section introduces the blowout phenomenon in the development of Chinese contemporary military TV plays since the new century. The second chapter, the analysis of the theme and artistic characteristics of Chinese contemporary military TV plays in the new century, is divided into three sections. The second section, narrative strategy analysis, from the characters and plots of the TV drama analysis; the third section, image style analysis, mainly from the lens, comedy elements, star endorsement three aspects of analysis. The reasons for the prosperity of military TV plays are divided into two sections. The first section, the advantages of the subject matter, from the superiority of the main melody and the loosening of the auditing system; the second section, the rise of mass consumer culture, from the perspective of market effect as a catalyst and audience aesthetic appeal. The difficulties and breakthroughs faced by TV dramas are divided into two sections. The first section is the difficulties faced by TV dramas, which are analyzed from four aspects: the prohibited zone of creation, the pattern of types, the enlargement of entertainment elements and the avoidance of realistic problems. The second section is how to break through the difficulties, how to deal with the relationship between the theme and popular culture, and how to break through the bottleneck of creation. In content and subject matter, we should constantly innovate, carry forward the mainstream value and avoid vulgarization.
The third part is the conclusion. It summarizes that the contemporary Chinese military TV plays are the product of the contemporary cultural context and the active attack of the ideological dominant culture under the contemporary pluralistic cultural background. It has stronger vitality.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J905
本文編號(hào)：2185751
[Abstract]:Chinese TV plays have a history of more than 50 years since they were born. While responding to the Party's call to educate the masses, TV plays have both entertainment and cultural functions, bringing a brand-new spiritual and entertainment experience to the Chinese people. Watching TV has become a popular way of spiritual entertainment for the public. The variety of subjects of Chinese TV plays has been changing constantly, showing a diversified trend of development. With the development of society and the improvement of people's living standards, people have put forward higher requirements for the development of military TV dramas, followed by changes in various types of military TV dramas. The blowout phenomenon of TV plays on military themes in the new century has become a possibility because they are closer to the present and more in line with the aesthetic tastes of modern people. This paper combs through the definition of TV plays on military themes in the new century and finds out the blowout development phenomenon. Through the analysis of their themes and artistic features, the prosperity of TV plays on military themes in the new century will be achieved. Finally, it discusses how to break through the encirclement of contemporary Chinese military TV dramas in the new century, and how to deal with the relationship between the main theme and popular culture. TV dramas are rarely seen in Hong Kong, Macao and Taiwan.
This paper is divided into three parts. The first part is the introduction. First, it briefly expounds the development of contemporary Chinese military TV Series in China, secondly, it makes a summary of the current academic research on contemporary Chinese military TV series, and finally points out the significance of the article.
The second part is the main body of this paper, which is divided into four chapters. The first chapter is the summary of the contemporary Chinese military TV plays in the new century, which is divided into two sections. The second section introduces the blowout phenomenon in the development of Chinese contemporary military TV plays since the new century. The second chapter, the analysis of the theme and artistic characteristics of Chinese contemporary military TV plays in the new century, is divided into three sections. The second section, narrative strategy analysis, from the characters and plots of the TV drama analysis; the third section, image style analysis, mainly from the lens, comedy elements, star endorsement three aspects of analysis. The reasons for the prosperity of military TV plays are divided into two sections. The first section, the advantages of the subject matter, from the superiority of the main melody and the loosening of the auditing system; the second section, the rise of mass consumer culture, from the perspective of market effect as a catalyst and audience aesthetic appeal. The difficulties and breakthroughs faced by TV dramas are divided into two sections. The first section is the difficulties faced by TV dramas, which are analyzed from four aspects: the prohibited zone of creation, the pattern of types, the enlargement of entertainment elements and the avoidance of realistic problems. The second section is how to break through the difficulties, how to deal with the relationship between the theme and popular culture, and how to break through the bottleneck of creation. In content and subject matter, we should constantly innovate, carry forward the mainstream value and avoid vulgarization.
The third part is the conclusion. It summarizes that the contemporary Chinese military TV plays are the product of the contemporary cultural context and the active attack of the ideological dominant culture under the contemporary pluralistic cultural background. It has stronger vitality.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J905
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