【摘要】：在民族志紀(jì)錄片的創(chuàng)作過程中,人類學(xué)的研究方法有著重要的借鑒意義。不論是參與觀察下的“田野調(diào)查”,還是主客位結(jié)合的敘事視角,在人類學(xué)視域下的民族志紀(jì)錄片創(chuàng)作中,它都讓創(chuàng)作者和受眾在文化的演進(jìn)發(fā)展中對自我進(jìn)行深刻的反思,以便在今后面對“異文化”的過程中,保持尊重的態(tài)度和寬廣的包容度。從藝術(shù)的審美角度講,民族志紀(jì)錄片在進(jìn)行客觀全方位紀(jì)實(shí)的基礎(chǔ)上,也運(yùn)用到修辭化的表意鏡頭語言來反觀客觀世界的真實(shí)圖景,呈現(xiàn)出富有文化意味的文化表征。在人類學(xué)視域下的民族志紀(jì)錄片創(chuàng)作中,更為集中地將影像聚焦至人類社會或族群的生存狀態(tài),因此,它具有更高的人文關(guān)懷價(jià)值。其所拍攝的內(nèi)容,主要集中于人或群體的生存狀態(tài),人與自然的關(guān)系,以及傳統(tǒng)與現(xiàn)代文明的碰撞。本片旨從人類學(xué)的視域下,從創(chuàng)作特點(diǎn),表現(xiàn)對象,研究方法,敘事表達(dá),表意修辭方面談民族志紀(jì)錄片的創(chuàng)作,結(jié)合本人創(chuàng)作的紀(jì)錄片《遠(yuǎn)去的大lV》的拍攝心得,希望能對本人今后的人類學(xué)紀(jì)錄片創(chuàng)作提供一些參考。
[Abstract]:In the process of writing ethnography documentary, anthropological research method has important reference significance. Whether it is the "field investigation" under observation or the narrative perspective of the combination of subject and object, in the ethnographic documentary creation from the anthropological perspective, it makes the creator and audience reflect deeply on themselves in the evolution and development of culture. In order to face the "different culture" in the future, maintain a respectful attitude and broad tolerance. From the artistic aesthetic point of view, the ethnographic documentary film is based on the objective and omni-directional documentary record, and is also applied to rhetorical ideographic lens language to reflect the real picture of the objective world and present the cultural representation with rich cultural significance. In the ethnographic documentary creation from the perspective of anthropology, the image is more focused on the living state of human society or ethnic group, so it has higher humanistic care value. It mainly focuses on the living state of people or groups, the relationship between man and nature, and the collision between tradition and modern civilization. The aim of this film is to discuss the creation of ethnographic documentaries from the perspective of anthropology, from the aspects of creation characteristics, objects of expression, research methods, narrative expression, ideographic rhetoric, and combining with the shooting experience of my documentary, "gone Great LV". Hope to provide some reference for my future anthropological documentary creation.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J952

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 趙智清;;真人秀紀(jì)錄片《客從何處來》的文化人類學(xué)意義[J];當(dāng)代電視;2015年02期

2 彭春明;;民族文化保護(hù)中的鏡頭選擇——從羌文化保護(hù)看人類學(xué)紀(jì)錄片的新倫理[J];青年作家(中外文藝版);2010年08期

3 王清華;影視人類學(xué)在我國的發(fā)展[J];云南社會科學(xué);2003年06期

，

本文編號：2179660