后新電影時代與臺灣國族認同研究
發(fā)布時間：2018-08-12 11:28
【摘要】：電影作為社會文化的組成部分，能夠集中的反應(yīng)某一時期民族心理以及社會意識的變化。因此對于后新時代臺灣電影的研究，就有助于我們把握臺灣民眾的國族認同心理。1987年以后，臺灣電影進入后新電影時代，這一時期的臺灣電影呈現(xiàn)出復(fù)雜的國族認同的特征，本文從共時的角度出發(fā)，對這一現(xiàn)象進行梳理，把這一復(fù)雜的認同總結(jié)為四個方面：中華民族身份認同的消解、本土意識對國族認同的影響、日本元素對國族身份認同的影響、全球化視野下臺灣的國族身份認同。然后從這四個方面出發(fā)分為四個章節(jié)，以歷時的角度對這些現(xiàn)象背后深刻的社會、歷史、政治、文化原因進行了分析和總結(jié)。通過這一研究希望可以更為深入地去探究臺灣電影自身的文化定位，并對未來臺灣電影在國族認同方面的趨向做出展望。
[Abstract]:As a part of social culture, film can reflect the change of national psychology and social consciousness in a certain period. Therefore, the study of Taiwan films in the post-new era will help us to grasp the national identity psychology of the people of Taiwan. After 1987, when Taiwan films entered the post-new film era, Taiwan films in this period showed the characteristics of complicated national identity. From a synchronic point of view, this paper combs this phenomenon and sums up this complex identity in four aspects: the dissolving of the identity of the Chinese nation, the influence of local consciousness on the national identity, and the influence of the Japanese element on the national identity. The National identity of Taiwan in the View of Globalization. Then it is divided into four chapters from these four aspects, and the profound social, historical, political and cultural reasons behind these phenomena are analyzed and summarized from a diachronic point of view. The purpose of this study is to explore the cultural orientation of Taiwan films and to look forward to the future trend of Taiwan films in the national identity.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J909.2
[Abstract]:As a part of social culture, film can reflect the change of national psychology and social consciousness in a certain period. Therefore, the study of Taiwan films in the post-new era will help us to grasp the national identity psychology of the people of Taiwan. After 1987, when Taiwan films entered the post-new film era, Taiwan films in this period showed the characteristics of complicated national identity. From a synchronic point of view, this paper combs this phenomenon and sums up this complex identity in four aspects: the dissolving of the identity of the Chinese nation, the influence of local consciousness on the national identity, and the influence of the Japanese element on the national identity. The National identity of Taiwan in the View of Globalization. Then it is divided into four chapters from these four aspects, and the profound social, historical, political and cultural reasons behind these phenomena are analyzed and summarized from a diachronic point of view. The purpose of this study is to explore the cultural orientation of Taiwan films and to look forward to the future trend of Taiwan films in the national identity.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J909.2
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