【摘要】：正《岡仁波齊》,"第六代"導(dǎo)演代表張楊作品,2017年6月20日在國內(nèi)公映,因其獨特的介于真實與虛構(gòu)間的創(chuàng)意策劃與藝術(shù)探索、拍攝的鏡像之美以及蘊含的宗教哲學(xué)內(nèi)涵,引起市場的關(guān)注,其帶有紀(jì)錄片特質(zhì)的劇情片類型,對中國目前商業(yè)片充斥的電影市場無疑是個有力的補充。一、真實與虛構(gòu):冷靜的鏡像語言《岡仁波齊》是披著紀(jì)錄片外衣的劇情片,用紀(jì)錄片的紀(jì)實風(fēng)格結(jié)合故事的講述,選取典型的11位朝圣者作為拍攝對象,紀(jì)錄他們一步一叩首的朝
[Abstract]:"Gang Rinpoche", "Sixth Generation" director Zhang Yang's work, which was released in China on June 20, 2017, has attracted market attention for its unique creative planning and artistic exploration between reality and fiction, the beauty of photographic images and the religious and philosophical connotations it contains. The type of drama with documentary characteristics has attracted commercial attention in China. Firstly, truth and fiction: calm mirror language < Gang Rinpoche > is a dramatic film in the cloak of a documentary film, which combines documentary style with story telling, choosing 11 pilgrims as the subjects of filming and recording their kowtows step by step.
【作者單位】： 山東女子學(xué)院文化傳播學(xué)院;
【基金】：基金項目山東省青少年優(yōu)秀傳統(tǒng)文化重點教育研究基地的階段性成果
【分類號】：J905

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