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《回歸》:父與國(guó)的隱喻解讀

發(fā)布時(shí)間:2018-07-31 18:23
【摘要】:《回歸》是俄羅斯導(dǎo)演安德烈·薩金塞夫的處女作,這部電影講述了離家12年突然歸來(lái)的父親教育兒子成長(zhǎng)的故事,同時(shí)也隱喻了俄羅斯在歷史劇變之中的創(chuàng)痛與重生,父與子和國(guó)家與人民存在著同構(gòu)的關(guān)系,此種對(duì)應(yīng)實(shí)現(xiàn)了導(dǎo)演對(duì)于國(guó)家命運(yùn)的深刻思考與追問(wèn)!痘貧w》是一部極具俄羅斯氣質(zhì)的影片,低沉的氣氛、緩慢的節(jié)奏和陰冷的色調(diào)構(gòu)成了一種極為克制和平緩的風(fēng)格,同時(shí)又因影片強(qiáng)烈的象征性,使得觀眾擁有了無(wú)盡的思考空間。
[Abstract]:"return" is the debut of Russian director Andrei Saginsev, a film that tells the story of a father who has suddenly returned from home for 12 years to educate his son, as well as a metaphor for the pain and rebirth of Russia in the midst of historical upheavals. The relationship between father and son, country and people is isomorphic, which realizes the director's profound thinking and questioning about the fate of the country. The slow tempo and shade of coldness make up a very restrained and gentle style, and because of the strong symbolism of the film, the audience has endless room for thinking.
【作者單位】: 內(nèi)蒙古農(nóng)業(yè)大學(xué)職業(yè)技術(shù)學(xué)院;
【分類號(hào)】:J905


本文編號(hào):2156439

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