美國與中國二戰(zhàn)題材戰(zhàn)爭片導(dǎo)演創(chuàng)作比較研究
發(fā)布時(shí)間：2018-07-31 17:08
【摘要】：第二次世界大戰(zhàn)給世界人們帶來了沉痛的災(zāi)難與精神上的傷害,在電影誕生一百多年的時(shí)間里,通過影像真實(shí)地再現(xiàn)戰(zhàn)爭中人們堅(jiān)強(qiáng)、正直、真善美的一面和團(tuán)結(jié)統(tǒng)一、堅(jiān)忍不拔、自強(qiáng)不息、熱愛和平的民族精神,以及揭示和反思戰(zhàn)爭所帶來的災(zāi)難與罪惡一直以來就是世界電影的熱門主題。美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片在藝術(shù)表現(xiàn)力和創(chuàng)作技術(shù)手段方面都各有特點(diǎn),本論文以電影史研究和影像藝術(shù)研究相結(jié)合的視角,采用類型研究、比較研究、文本個(gè)案研究等研究方法,通過對美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片在劇本、視覺形象與聲音方面的比較分析,豐富和提高中國大陸現(xiàn)有的創(chuàng)作方式,有助于提升中國電影的制作理念和導(dǎo)演的藝術(shù)創(chuàng)作,力圖為未來中國大陸二戰(zhàn)題材戰(zhàn)爭片的創(chuàng)作提供借鑒和參考。本論文整體上主要分為五章。在緒論部分,主要論述了本論文的研究背景、研究意義、研究方法、以及國內(nèi)外二戰(zhàn)題材戰(zhàn)爭片已有研究成果及研究現(xiàn)狀。第一章論述了二戰(zhàn)題材戰(zhàn)爭片的界定、美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片的發(fā)展概況與導(dǎo)演創(chuàng)作理念。第二章主要是對美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片的劇本進(jìn)行論述研究,其中主要是從影片的人物、情節(jié)、敘事和主題分別進(jìn)行論述研究,最后對美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片的劇本進(jìn)行比較分析。第三章主要是對美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片導(dǎo)演對的視覺形象的創(chuàng)作,從影片電影美術(shù)和攝影分別進(jìn)行論述研究,最后對美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片的視覺形象進(jìn)行比較分析。第四章主要是美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片的導(dǎo)演對聲音的選擇和使用,從音樂和音響方面分別進(jìn)行論述研究,最后對美國好萊塢與中國大陸二戰(zhàn)題材戰(zhàn)爭片的聲音進(jìn)行比較分析。第五章論述了中國大陸二戰(zhàn)題材戰(zhàn)爭片的創(chuàng)作現(xiàn)狀,包括已經(jīng)取得的成果和存在的問題。最后結(jié)語部分,論述了中國大陸二戰(zhàn)題材戰(zhàn)爭片的發(fā)展前景。豐富的歷史背景為戰(zhàn)爭片的創(chuàng)作提供了強(qiáng)有力的素材支持,中國導(dǎo)演必須要要利用好這些素材,通過影片劇本、視覺形象和聲音方面導(dǎo)演創(chuàng)作手段的不斷完善和探索,將中國人民在戰(zhàn)爭中體現(xiàn)的愛國精神、民族精神和英雄主義等充分展現(xiàn)出來,在給觀眾帶來震撼的視聽盛宴的同時(shí),要引起人們對戰(zhàn)爭的反思,使影片達(dá)到思想性、藝術(shù)性和技術(shù)性的高度統(tǒng)一。
[Abstract]:The second World War brought deep disaster and spiritual injury to people all over the world. In the more than 100 years since the film was born, the people's strong, honest, true, good and beautiful side and unity in the war were truly reproduced through images. Perseverance, self-improvement, peace-loving national spirit, and revealing and reflecting on the disasters and evils brought by war have always been the hot themes of the world films. Hollywood and mainland China have their own characteristics in terms of artistic expression and creative techniques. This paper combines the study of film history with the study of image art, and adopts the genre study and comparative study. Text case study and other research methods, through a comparative analysis of American Hollywood and mainland China's World War II war films in terms of script, visual image and sound, enrich and improve the existing creative methods in mainland China. It helps to promote the production concept of Chinese films and the artistic creation of directors, and tries to provide reference for the creation of war films on the theme of World War II in the mainland of China in the future. This paper is divided into five chapters as a whole. In the introduction part, this paper mainly discusses the research background, research significance, research methods, as well as the existing research results and research status of war films on World War II at home and abroad. The first chapter discusses the definition of World War II war film, the development of Hollywood and mainland China war film and the director's creative idea. The second chapter is mainly about the American Hollywood and mainland China World War II war film drama, which is mainly from the film's characters, plot, narrative and theme, respectively. Finally, the American Hollywood and mainland China World War II war film drama were compared and analyzed. The third chapter is mainly about the creation of the visual images of the war film directors of Hollywood and mainland China, from the film art and photography, respectively. Finally, the visual images of American Hollywood and mainland China World War II war films are compared and analyzed. The fourth chapter is mainly about the choice and use of sound by the directors of the war films on the theme of World War II in Hollywood and mainland China, respectively, from the aspects of music and sound. Finally, the American Hollywood and mainland China World War II theme war films sound analysis. The fifth chapter discusses the current situation of war film creation in mainland China, including the achievements and existing problems. Finally, the conclusion discusses the development prospects of war films on World War II in mainland China. The rich historical background has provided powerful material support for the war film creation. Chinese directors must make good use of these materials and constantly improve and explore the creative means of directors in the aspects of film script, visual image and sound. The patriotic spirit, national spirit and heroism embodied by the Chinese people in the war are fully displayed. While bringing the audience a shocking audiovisual feast, they should at the same time arouse people's reflection on the war and make the film ideological. A high degree of unity between artistry and technology.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J911
本文編號：2156268
[Abstract]:The second World War brought deep disaster and spiritual injury to people all over the world. In the more than 100 years since the film was born, the people's strong, honest, true, good and beautiful side and unity in the war were truly reproduced through images. Perseverance, self-improvement, peace-loving national spirit, and revealing and reflecting on the disasters and evils brought by war have always been the hot themes of the world films. Hollywood and mainland China have their own characteristics in terms of artistic expression and creative techniques. This paper combines the study of film history with the study of image art, and adopts the genre study and comparative study. Text case study and other research methods, through a comparative analysis of American Hollywood and mainland China's World War II war films in terms of script, visual image and sound, enrich and improve the existing creative methods in mainland China. It helps to promote the production concept of Chinese films and the artistic creation of directors, and tries to provide reference for the creation of war films on the theme of World War II in the mainland of China in the future. This paper is divided into five chapters as a whole. In the introduction part, this paper mainly discusses the research background, research significance, research methods, as well as the existing research results and research status of war films on World War II at home and abroad. The first chapter discusses the definition of World War II war film, the development of Hollywood and mainland China war film and the director's creative idea. The second chapter is mainly about the American Hollywood and mainland China World War II war film drama, which is mainly from the film's characters, plot, narrative and theme, respectively. Finally, the American Hollywood and mainland China World War II war film drama were compared and analyzed. The third chapter is mainly about the creation of the visual images of the war film directors of Hollywood and mainland China, from the film art and photography, respectively. Finally, the visual images of American Hollywood and mainland China World War II war films are compared and analyzed. The fourth chapter is mainly about the choice and use of sound by the directors of the war films on the theme of World War II in Hollywood and mainland China, respectively, from the aspects of music and sound. Finally, the American Hollywood and mainland China World War II theme war films sound analysis. The fifth chapter discusses the current situation of war film creation in mainland China, including the achievements and existing problems. Finally, the conclusion discusses the development prospects of war films on World War II in mainland China. The rich historical background has provided powerful material support for the war film creation. Chinese directors must make good use of these materials and constantly improve and explore the creative means of directors in the aspects of film script, visual image and sound. The patriotic spirit, national spirit and heroism embodied by the Chinese people in the war are fully displayed. While bringing the audience a shocking audiovisual feast, they should at the same time arouse people's reflection on the war and make the film ideological. A high degree of unity between artistry and technology.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J911
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