何以興盛：中國參與式影像十年發(fā)展研究（2003-2012）
發(fā)布時間：2018-07-22 20:32
【摘要】：本文的研究對象參與式影像(Participatory Video),是一種以影像為表達方式的社會介入方法,起源于1967年加拿大“福古島”程式,其后被國際非政府組織廣泛使用。參與式影像項目一般由非政府組織開展,協(xié)助社區(qū)成員使用影像紀錄社區(qū),并在拍攝過程中組織影像的本地放映,以激發(fā)社區(qū)討論、形成社區(qū)共識,促進社區(qū)民眾教育與社區(qū)運動。參與式影像在一定程度上說,由社區(qū)集體創(chuàng)作,這種方式具有賦權弱勢群體、促進民眾參與、引發(fā)社區(qū)交流、解決社區(qū)事務等作用,最終在社區(qū)內(nèi)部形成力量推動社區(qū)發(fā)展。 中國改革開放以后,經(jīng)濟增長、貧富分化,社會沖突日益加劇。GDP的年年攀升之下,是普通民眾面對主流媒體時的壓抑與沉默。在新紀錄運動中,國內(nèi)獨立紀錄片人將目光轉向了處于弱勢的邊緣群體,試圖代替他們向社會發(fā)聲,而這也不可避免地帶來了精英式的思考。到了21世紀初,新紀錄運動發(fā)生了變化,一部分紀錄片人開始自我反思,試圖將話語權交給群體本身,而DV的普及與相對低廉的價格,為這種嘗試提供了可能；同時西南山地在20世紀末開始進行的環(huán)境與生物的多樣性保護項目,在21世紀開始使用參與式影像,拉開了中國參與式影像發(fā)展的序幕。2003年首屆云之南紀錄電影展開幕,首次對參與式影像項目單獨進行了討論,為該影展日后對中國參與式影像發(fā)展的推動埋下了伏筆。 本文對參與式影像的國外發(fā)展軌跡進行整理,并探究中國參與式影像從21世紀初到2003年之間的發(fā)端跡象。文章選取了2003年為起點,以2012年為終點,對中國參與式影像2003-2012十年間的發(fā)展過程進行了梳理。通過資料的搜集與分析得出參與式影像的十年發(fā)展呈現(xiàn)出兩個階段：靜無波瀾的第一階段(2003-2004)與主體漸顯的第二階段(2005-2012)。第一階段以參與式影像項目為研究對象,探究它們所表現(xiàn)出來的價值。第二階段中中國參與式影像主體逐步顯露,通過對發(fā)展中形成的不同項目熱點進行整理分析,勾勒出參與式影像的發(fā)展過程、熱點與狀況,并總結出它們基于本土環(huán)境所體現(xiàn)出來的特征。 文章基于對中國參與式影像十年發(fā)展的梳理,嘗試探尋其發(fā)展的主要推動力。在發(fā)展的前期階段,新技術的廣泛普及中國獨立紀錄片的觀念轉變成為了主要原因與推動力量；在中后期的持續(xù)發(fā)展中,國內(nèi)的民間力量與國外力量的支持起了不可或缺的作用；而促進參與式影像發(fā)展的更深層次的原因,則在于處于社會轉型期的中國社會環(huán)境下,民眾表達意識的覺醒形成了一股民間力量,這股發(fā)自底層的內(nèi)部力量成為了中國參與式影像興盛的深層原因。
[Abstract]:The object of this paper is participatory Video, a method of social intervention based on image expression. It originated from the "Fukuo Island" program of Canada in 1967 and has been widely used by international non-governmental organizations. Participatory imaging projects are generally carried out by non-governmental organizations to assist community members in using images to record the community and to organize local screenings of images during filming to stimulate community discussions and build community consensus. To promote community education and community movement. To a certain extent, participatory images are created by the community collectively, which has the functions of empowering the disadvantaged groups, promoting the participation of the people, causing community exchanges, solving community affairs, and finally forming a force to promote the development of the community within the community. After China's reform and opening up, the economic growth, the polarization between the rich and the poor, and the increasing social conflict. The GDP is rising year by year, which is the repression and silence of the ordinary people in the face of the mainstream media. In the new record movement, independent documentaries in China turned their attention to the marginalized groups in the weak position and tried to speak for them, which inevitably brought elitist thinking. At the beginning of the 21st century, the new record movement changed, some documentaries began to reflect on themselves, trying to give the right to speak to the group itself, but the popularity of DV and the relatively low price provided the possibility for this kind of attempt; At the same time, the environmental and biological diversity conservation project that began in the Southwest Mountain region at the end of the 20th century, began to use participatory images in the 21st century, opening the first Yunzhinan documentary Film Festival in 2003, which opened the prologue of China's participatory image development. The participatory image project was discussed separately for the first time, which laid the groundwork for the future development of participatory image in China. This paper deals with the foreign development of participatory images and explores the early signs of China's participatory images from the beginning of the 21st century to the year 2003. Taking 2003 as the starting point and 2012 as the end point, the paper combs the development process of China's participatory image from 2003 to 2012. Through the data collection and analysis, it is concluded that there are two stages in the 10-year development of participatory images: the first stage (2003-2004) and the second stage (2005-2012). In the first stage, the participatory image project is taken as the research object to explore their value. In the second stage, the main body of participatory image in China is revealed step by step. Through the arrangement and analysis of different project hotspots formed in the course of development, the development process, hot spot and status of participatory image are outlined. They are based on the characteristics of the local environment. Based on the ten-year development of China's participatory image, this paper tries to explore the main driving force of its development. In the early stage of development, the concept of extensive popularization of new technologies in China's independent documentaries has become the main cause and driving force; in the middle and later period of sustained development, The support of domestic and foreign forces has played an indispensable role, and the deeper reason for promoting participatory image development lies in the Chinese social environment in the period of social transition. The awakening of public expression consciousness has formed a force among the people, and this internal force from the bottom has become the deep reason for the prosperity of China's participatory image.
【學位授予單位】：安徽大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J952
本文編號：2138487
[Abstract]:The object of this paper is participatory Video, a method of social intervention based on image expression. It originated from the "Fukuo Island" program of Canada in 1967 and has been widely used by international non-governmental organizations. Participatory imaging projects are generally carried out by non-governmental organizations to assist community members in using images to record the community and to organize local screenings of images during filming to stimulate community discussions and build community consensus. To promote community education and community movement. To a certain extent, participatory images are created by the community collectively, which has the functions of empowering the disadvantaged groups, promoting the participation of the people, causing community exchanges, solving community affairs, and finally forming a force to promote the development of the community within the community. After China's reform and opening up, the economic growth, the polarization between the rich and the poor, and the increasing social conflict. The GDP is rising year by year, which is the repression and silence of the ordinary people in the face of the mainstream media. In the new record movement, independent documentaries in China turned their attention to the marginalized groups in the weak position and tried to speak for them, which inevitably brought elitist thinking. At the beginning of the 21st century, the new record movement changed, some documentaries began to reflect on themselves, trying to give the right to speak to the group itself, but the popularity of DV and the relatively low price provided the possibility for this kind of attempt; At the same time, the environmental and biological diversity conservation project that began in the Southwest Mountain region at the end of the 20th century, began to use participatory images in the 21st century, opening the first Yunzhinan documentary Film Festival in 2003, which opened the prologue of China's participatory image development. The participatory image project was discussed separately for the first time, which laid the groundwork for the future development of participatory image in China. This paper deals with the foreign development of participatory images and explores the early signs of China's participatory images from the beginning of the 21st century to the year 2003. Taking 2003 as the starting point and 2012 as the end point, the paper combs the development process of China's participatory image from 2003 to 2012. Through the data collection and analysis, it is concluded that there are two stages in the 10-year development of participatory images: the first stage (2003-2004) and the second stage (2005-2012). In the first stage, the participatory image project is taken as the research object to explore their value. In the second stage, the main body of participatory image in China is revealed step by step. Through the arrangement and analysis of different project hotspots formed in the course of development, the development process, hot spot and status of participatory image are outlined. They are based on the characteristics of the local environment. Based on the ten-year development of China's participatory image, this paper tries to explore the main driving force of its development. In the early stage of development, the concept of extensive popularization of new technologies in China's independent documentaries has become the main cause and driving force; in the middle and later period of sustained development, The support of domestic and foreign forces has played an indispensable role, and the deeper reason for promoting participatory image development lies in the Chinese social environment in the period of social transition. The awakening of public expression consciousness has formed a force among the people, and this internal force from the bottom has become the deep reason for the prosperity of China's participatory image.
【學位授予單位】：安徽大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J952
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