【摘要】：文章闡述了電影懸念的定義,運用我國著名美學(xué)家朱光潛先生的理論解釋了心理距離形成的原因,揭示了心理距離和電影懸念之間的某種內(nèi)在聯(lián)系。采用分析法和案例法論證了心理距離和電影懸念的關(guān)系:心理距離過遠(yuǎn)難以形成電影美感和懸念,心理距離太近則會損害電影懸念的審美效果,只有適當(dāng)?shù)男睦砭嚯x才能形成美感產(chǎn)生懸念。文章分析了電影懸念形成的原理、心理距離和電影懸念的關(guān)系,對電影創(chuàng)作有一定的指導(dǎo)意義。
[Abstract]:The article expounds the definition of the film suspense, explains the cause of the formation of psychological distance by using the theory of Mr. Zhu Guangqian, a famous American aesthetic scientist, reveals some internal relations between psychological distance and movie suspense. The relationship between psychological distance and movie suspense is demonstrated by the method of analysis and case: it is difficult to form a movie by the distance of psychological distance. Aesthetic feeling and suspense and too close psychological distance will damage the aesthetic effect of the movie suspense. Only a proper psychological distance can form a aesthetic suspense. The article analyses the principle of the formation of the movie suspense, the relationship between the psychological distance and the movie suspense, which has certain guiding significance for the film creation.
【作者單位】： 聊城大學(xué)東昌學(xué)院;黃岡師范學(xué)院;
【分類號】：J90-05

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本文編號：2134669