【摘要】：當(dāng)下電影美學(xué)話語處于多元化的泛美學(xué)狀態(tài)。作為學(xué)術(shù)概念的"電影美學(xué)"有待明確界定,應(yīng)與相關(guān)相近的"電影學(xué)"、"電影理論"、"電影藝術(shù)"、"電影文化"等概念有所區(qū)別。作為學(xué)科門類的"電影美學(xué)"具有美學(xué)理論與審美特征兩種向度,應(yīng)以學(xué)理化的理論形態(tài)為主體。"電影美學(xué)"的理論資源除美學(xué),文藝?yán)碚摶蚱渌F(xiàn)代思想觀念,更重要的是自電影誕生百余年發(fā)展中逐漸形成的那些電影美學(xué)思想以及對(duì)電影審美特征的歸納。
[Abstract]:At present, the film aesthetic discourse is in a pluralistic pan-American state. As an academic concept, "Film Aesthetics" needs to be clearly defined, which should be distinguished from the related concepts of "Cinemology", "Film Theory", "Film Art", "Film Culture" and so on. "Film Aesthetics", as a subject category, has aesthetic theory and aesthetic characteristics, and should take the theoretical form of physics and chemistry as the main body. " The theoretical resources of Film Aesthetics are not only aesthetics, literary theory or other modern ideas, but also, more importantly, the aesthetic thoughts of films and the induction of aesthetic characteristics of films which have been gradually formed since the birth of more than 100 years.
【作者單位】： 三江學(xué)院;
【分類號(hào)】：J901

【相似文獻(xiàn)】

相關(guān)期刊論文 前1條

1 徐明君;;美學(xué)范疇與影視暴力的審美教育[J];電影評(píng)介;2008年11期

，

本文編號(hào)：2133765