【摘要】：紀(jì)錄片是一種以展現(xiàn)真實為本質(zhì)的電影或電視的藝術(shù)形式,它承載著大眾對文化與歷史的認同感。湖北紀(jì)錄片的創(chuàng)作在全國范圍內(nèi)起步較早,并且取得了不錯的成績。特別是人文類紀(jì)錄片,諸如《舟舟的世界》、《楚國八百年》、《幼兒園》、《漢江》、《船工》、《遠山的瑤歌》、《再生之音》、《請為我投票》等一批極具人文關(guān)懷的作品值得我們關(guān)注與研究。近來,紀(jì)錄片的故事化敘事已逐漸成為一種常見的敘事藝術(shù)手法。與此同時,湖北人文紀(jì)錄片的創(chuàng)作也堅持對當(dāng)下文化及人文社會的密切關(guān)注,同樣也注重“講故事”。在發(fā)展過程中,湖北人文紀(jì)錄片在創(chuàng)作題材和手法上都有很大的突破,尤其是在故事化敘事方面,已成為一個極具研究價值的領(lǐng)域。本文共五個部分。緒論部分首先對“湖北人文紀(jì)錄片”的概念進行了界定;其次,對“故事化”敘事的研究現(xiàn)狀進行了概述;最后,交代了研究內(nèi)容與研究方法。第一章論述了湖北人文紀(jì)錄片的“故事化”敘事類型,主要分為散文化方式敘事與情節(jié)化方式敘事兩種類型來談,并且分析這兩種敘事方式的結(jié)構(gòu)特色,散文化敘事方式通常采用多層次的敘事結(jié)構(gòu),而情節(jié)化敘事通常采用的是多線索的敘事結(jié)構(gòu)。第二章主要討論湖北人文紀(jì)錄片的“故事化”敘事特點,分別從選題、敘事視角、情節(jié)、細節(jié)、節(jié)奏、懸念這六個要素來分析,并選取了大量紀(jì)錄片作為實例來論證。最后一章論述湖北人文紀(jì)錄片的“故事化”敘事策略,主要是從故事建構(gòu)、影像技巧、后期設(shè)計三個方面來具體探討,對于策略的討論大多是對拍攝過程和后期技術(shù)的分析。最后的結(jié)語部分是對湖北人文紀(jì)錄片故事化敘事研究的總結(jié)與思考。本文結(jié)合大量實例對湖北人文紀(jì)錄片的故事化敘事進行分析,期望據(jù)此揭示出湖北人文紀(jì)錄片故事化敘事的某些敘事特點、敘事策略,為湖北當(dāng)代人文紀(jì)錄片的故事化創(chuàng)作開拓一些新的視野和角度。同時,也希望借此研究,引起對湖北人文紀(jì)錄片故事化敘事研究的更多關(guān)注。
[Abstract]:Documentary is a kind of artistic form of film or television which shows the essence of reality. It bears the people's identity to culture and history. Hubei documentary creation in the country started early, and achieved good results. Especially the humanistic documentaries, such as the World of Zhouzhou, 800 years of Chu, Kindergarten, Hanjiang, Shipyard, Yao Song of distant Mountains, Sound of Regeneration, Please vote for me, and so on, are worthy of our attention and study. Recently, the story narration of documentary has gradually become a common narrative art technique. At the same time, the creation of Hubei Humanities documentary also insists on paying close attention to the present culture and humane society, and also pays attention to storytelling. In the process of development, Hubei Humanistic documentary has made a great breakthrough in the creation of subjects and techniques, especially in the narrative of stories, has become a very valuable field of research. There are five parts in this paper. The introduction first defines the concept of "Hubei Humanistic documentary"; secondly, summarizes the research status quo of the narrative of "story"; finally, explains the research content and research methods. The first chapter discusses the narrative types of "story" in Hubei humanistic documentary, which are mainly divided into two types: narrative of prose culture and narrative of plot, and the structural characteristics of these two narrative modes are analyzed. Narrative style of prose culture usually adopts multi-level narrative structure, while plot narrative usually adopts multi-clue narrative structure. The second chapter mainly discusses the narrative characteristics of the "story" of Hubei humanistic documentary, respectively from the subject selection, narrative perspective, plot, details, rhythm, suspense to analyze these six elements, and selected a large number of documentaries as an example to demonstrate. The last chapter discusses the narrative strategy of "story" in Hubei humanistic documentary, mainly from three aspects: story construction, image technique and later design. The discussion of strategy is mostly the analysis of shooting process and later stage technology. The last part of the conclusion is the summary and thinking of the story narrative research of Hubei humanistic documentary. Based on a large number of examples, this paper analyzes the story narration of Hubei humanistic documentary, hoping to reveal some narrative characteristics and narrative strategies of the story narration in Hubei humanistic documentary. To open up some new horizons and angles for the story creation of contemporary humanities documentary in Hubei. At the same time, I also hope to draw more attention to the story narrative of Hubei Humanities documentary.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J952

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本文編號：2118847