【摘要】：本文以白先勇的小說及其電影改編為主要研究對象,借此重新進(jìn)入白先勇的創(chuàng)作世界。除了引言和結(jié)語,論文分為三章： 第一章探析白先勇小說成為影視改編寵兒的緣由。視覺文化時(shí)代,白先勇小說創(chuàng)作的內(nèi)容迎合了時(shí)代的需要,同時(shí)白先勇的小說具有極強(qiáng)的影像感,包括色彩、音樂元素、意識流的運(yùn)用,都便于影視改編時(shí)直接挪用。小說包含的漂泊與懷舊感也是導(dǎo)演青睞的原因。 第二章分析白先勇改編成電影的幾部作品。白先勇小說的改編,有時(shí)代的差異,亦有地區(qū)的分別。白先勇的作品因篇幅、情懷等原因,給改編帶來一定的難度,對編劇、導(dǎo)演的藝術(shù)文學(xué)修養(yǎng)要求較高,不同的導(dǎo)演對作品的理解差異影響了影視的表達(dá)效果。本章對比分析了白先勇小說和改編后的影片《玉卿嫂》《金大班的最后一夜》《孽子》《孤戀花》《最后的貴族》《花橋榮記》,探討其在主題表現(xiàn)、人物塑造、情節(jié)處理、敘事結(jié)構(gòu)等方面各自的特性,借此重新審視白先勇創(chuàng)作。 第三章探討白先勇小說和影視聯(lián)姻的意義。借由白先勇的研究,我們可以反觀視覺文化發(fā)展的今天,文學(xué)尤其是小說的生存空間及改編策略。
[Abstract]:In this paper, Bai Xianyong's novels and their film adaptation as the main research object, so as to re-enter the world of Bai Xianyong. In addition to the introduction and conclusion, the thesis is divided into three chapters: the first chapter analyzes the reasons why Bai Xianyong novels become the favorite of film and television adaptation. In the age of visual culture, the content of Bai Xianyong's novels meets the needs of the times, and Bai Xianyong's novels have a strong sense of image, including the use of color, musical elements and stream of consciousness. The drift and nostalgia of the novel are also the reasons for the director's favor. The second chapter analyzes several works that Bai Xianyong adapts into movies. The adaptation of Bai Xianyong's novels has different times as well as different regions. Bai Xianyong's works, due to space, feelings and other reasons, bring some difficulties to the adaptation, the writer, director's artistic and literary accomplishment requirements are higher, different directors' understanding of the works affect the performance of the film and television. This chapter contrasts and analyzes Bai Xianyong's novel and the adapted film "Yuqing Sisters", "the Last Night of Jin Taipan", "Nie Zi", "solitary Love Flower", "the Last aristocrat" Flower Bridge Rong ", and discusses its theme expression, character shaping, and plot processing. Narrative structure and other aspects of their own characteristics, so as to re-examine the creation of Bai Xianyong. The third chapter discusses the significance of the marriage of Bai Xianyong novels and movies. With the research of Bai Xianyong, we can look back at the living space and adaptation strategy of literature, especially novels, with the development of visual culture today.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I207.42;J905

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