本文選題：國產(chǎn)動(dòng)畫電影 + 聲音元素�。� 參考：《廣州大學(xué)》2017年碩士論文

【摘要】：動(dòng)畫電影經(jīng)歷無聲到有聲的發(fā)展,已經(jīng)鍛煉成為一門視覺與聽覺相結(jié)合的綜合藝術(shù)。隨著人們生活水平的提高、審美的提升與轉(zhuǎn)變,對(duì)于動(dòng)畫電影視聽藝術(shù)的要求也在增加。近年來,美日動(dòng)畫電影占據(jù)了絕大部分中國市場(chǎng),《功夫熊貓》、《千與千尋》、《冰河世紀(jì)》等動(dòng)畫電影已經(jīng)在中國觀眾心中成為經(jīng)典記憶,正是因?yàn)檫@些質(zhì)量上乘的動(dòng)畫電影才使得中國觀眾愿意為其買單,而反觀國產(chǎn)動(dòng)畫電影,量大卻鮮有佳作。值此之際,我們更應(yīng)該找出國產(chǎn)動(dòng)畫電影發(fā)展過程中出現(xiàn)的問題,腳踏實(shí)地的剔除糟粕,推陳出新,謀求動(dòng)畫電影新的出路,開辟一條屬于中國自己的動(dòng)畫電影市場(chǎng)。對(duì)于聲音的創(chuàng)作與探索日益成為創(chuàng)作者不得不面臨的重大問題。觀眾對(duì)于強(qiáng)大的聽覺體驗(yàn)的要求使得創(chuàng)作者必須加強(qiáng)聲音元素的設(shè)計(jì),提升更加多元的聲音表現(xiàn)力與想象力。因此,對(duì)于國產(chǎn)動(dòng)畫電影聲音元素的理解與透析顯得尤為重要。本文立足于動(dòng)畫電影聲音三元素這個(gè)基點(diǎn),選取近年來具有代表性的國產(chǎn)動(dòng)畫作品作為例證,對(duì)于90年代以后國產(chǎn)動(dòng)畫電影的聲音特色進(jìn)行詳盡的分析與表述,力求為國產(chǎn)動(dòng)畫電影在聲音藝術(shù)上的表現(xiàn)與創(chuàng)新謀求更好地發(fā)展,為整個(gè)國產(chǎn)動(dòng)畫電影指明進(jìn)步的方向。本文總共五個(gè)章節(jié),第一個(gè)章節(jié)中為緒論部分。第二個(gè)章節(jié)對(duì)于動(dòng)畫電影的概念、發(fā)展歷程進(jìn)行分析。并且對(duì)于50年代至90年代的國產(chǎn)動(dòng)畫電影做了詳盡的資料整理,分析國產(chǎn)動(dòng)畫電影發(fā)展歷史。除此之外,對(duì)于聲音三元素進(jìn)行理論上的解釋,為下面幾個(gè)章節(jié)對(duì)于聲音藝術(shù)的深入分析打下基礎(chǔ)。第三、四個(gè)章節(jié)抓住20世紀(jì)90年代以后國產(chǎn)動(dòng)畫電影聲音三元素(有聲語言、音樂、音響)中最突出的特點(diǎn),分析聲音元素的細(xì)節(jié)呈現(xiàn)和演變,并且從國產(chǎn)動(dòng)畫電影發(fā)展的大環(huán)境出發(fā),對(duì)于九十年代以后聲音元素發(fā)生的演變進(jìn)行原因分析,為接下來一個(gè)章節(jié)提出問題與解決辦法提供依據(jù)。最后一章論述國產(chǎn)動(dòng)畫電影聲音元素方面出現(xiàn)的問題與使命,表明不同時(shí)代下聲音元素的演變會(huì)造成觀眾審美的轉(zhuǎn)變,把握好聲音元素的創(chuàng)新,明確聲音在動(dòng)畫電影中的使命與價(jià)值才能更好地發(fā)展國產(chǎn)動(dòng)畫電影、找出問題的所在,使得動(dòng)畫電影具有長足的發(fā)展。
[Abstract]:Animation film has experienced the development of silent to sound, has become a combination of visual and auditory art. With the improvement of people's living standard and the improvement and transformation of aesthetics, the requirements for the audio-visual art of animated films are also increasing. In recent years, American and Japanese animation films have occupied the vast majority of the Chinese market. Animation films such as Kung Fu Panda, "1000 and thousand fathom" and "Ice Age" have become a classic memory in the hearts of Chinese audiences. It is because of these quality animation films that Chinese audiences are willing to pay for them, while domestic animation films are rare. On this occasion, we should find out the problems in the development of domestic animation film, remove dross from the ground, bring forth new ideas, seek a new outlet for animation film, and open up an animation film market belonging to China itself. The creation and exploration of sound has increasingly become a major problem that creators have to face. The audience's demand for a strong auditory experience makes it necessary for creators to strengthen the design of sound elements and enhance more diverse voice expression and imagination. Therefore, it is particularly important to understand and analyze the sound elements of domestic animated films. Based on the basic point of sound three elements of animation film, this paper selects the representative domestic animation works in recent years as an example, and makes a detailed analysis and expression of the sound characteristics of domestic animation films after the 1990s. This paper tries to seek better development for the performance and innovation of domestic animation film in sound art, and points out the direction of progress for the whole domestic animation film. There are five chapters in this paper, the first chapter is the introduction. The second chapter analyzes the concept and development of animation film. And the domestic animation film from 1950's to 90's made detailed data arrangement, analyzed the history of the development of domestic animation film. In addition, the theoretical explanation of the three elements of sound lays the foundation for the further analysis of sound art in the following chapters. Third, the four chapters capture the most prominent features of the three elements of sound (sound language, music, sound) in domestic animated movies after the 1990s, and analyze the detailed presentation and evolution of sound elements. And from the development environment of domestic animation film, the evolution of sound elements after the 1990s is analyzed, which provides the basis for the next chapter to put forward the problems and solutions. The last chapter discusses the problems and missions of the sound elements in the domestic animation films. It shows that the evolution of the sound elements in different times will lead to the aesthetic transformation of the audience, and grasp the innovation of the sound elements. Only by clarifying the mission and value of sound in the animation film can we develop the domestic animation film better, find out the problem, and make the animation film have a great development.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 王蕾;姬德強(qiáng);;從《大魚海棠》看國產(chǎn)動(dòng)畫電影的文化回歸[J];戲劇之家;2016年22期

2 尹娜;;試論早期中國動(dòng)畫電影音樂及其歷史地位[J];科技經(jīng)濟(jì)市場(chǎng);2016年01期

3 肖華;;國產(chǎn)動(dòng)畫電影發(fā)展探討——基于歷史與現(xiàn)實(shí)的考量[J];現(xiàn)代傳播(中國傳媒大學(xué)學(xué)報(bào));2015年12期

4 李國聰;張芳;;國產(chǎn)動(dòng)畫電影正步入“新世代”[J];現(xiàn)代視聽;2015年12期

5 王星儒;;國產(chǎn)動(dòng)畫傳統(tǒng)美學(xué)風(fēng)格及文化探源[J];電影文學(xué);2015年21期

6 石蓓;;美國動(dòng)畫電影中的擬音藝術(shù)[J];當(dāng)代電影;2015年07期

7 陸小玲;;商業(yè)化背景下國產(chǎn)動(dòng)畫電影的出路[J];常州工學(xué)院學(xué)報(bào)(社科版);2014年02期

8 彭紅霞;;國產(chǎn)動(dòng)畫電影的現(xiàn)狀及發(fā)展方向[J];湖南大眾傳媒職業(yè)技術(shù)學(xué)院學(xué)報(bào);2013年02期

9 張琦;郝達(dá);;論國產(chǎn)動(dòng)畫電影音樂創(chuàng)作的美學(xué)風(fēng)格演進(jìn)[J];當(dāng)代電影;2011年12期

10 文仕江;吳榮彬;;論國產(chǎn)動(dòng)畫電影聲音之民族風(fēng)格[J];電影文學(xué);2011年19期

相關(guān)碩士學(xué)位論文 前7條

1 王星;“互聯(lián)網(wǎng)+”背景下國產(chǎn)動(dòng)畫電影的媒介營銷策略及實(shí)施路徑研究[D];江西師范大學(xué);2016年

2 于躍;宮崎駿動(dòng)畫電影聲音特色研究[D];東北師范大學(xué);2016年

3 徐潔;國產(chǎn)動(dòng)畫電影市場(chǎng)發(fā)展現(xiàn)狀與對(duì)策研究[D];上海大學(xué);2015年

4 王東;影視動(dòng)畫聲音設(shè)計(jì)研究[D];西安工程大學(xué);2014年

5 榮韜;九十年代以來國產(chǎn)動(dòng)畫電影的文化觀念演變[D];安徽工程大學(xué);2012年

6 葉菁;國產(chǎn)動(dòng)畫電影的民族風(fēng)格研究[D];上海師范大學(xué);2010年

7 李志榮;國產(chǎn)動(dòng)畫片的美學(xué)特征及其發(fā)展趨勢(shì)[D];信陽師范學(xué)院;2010年

，

本文編號(hào)：2076054