本文選題：動(dòng)畫 + 造型設(shè)計(jì)　； 參考：《齊魯工業(yè)大學(xué)》2014年碩士論文

【摘要】：進(jìn)入21世紀(jì)，隨著互聯(lián)網(wǎng)的普及和3D影像技術(shù)的日臻成熟，動(dòng)畫這種已誕生百余年的藝術(shù)形式在其制作技術(shù)和發(fā)布渠道上都獲得了前所未有的拓展和進(jìn)步。以動(dòng)畫影視作品的開發(fā)、生產(chǎn)、出版、播送、銷售為中心，結(jié)合與動(dòng)畫形象相關(guān)的玩具、服裝、游戲等周邊衍生產(chǎn)品生產(chǎn)、經(jīng)營(yíng)的動(dòng)畫產(chǎn)業(yè)亦在整個(gè)社會(huì)的文化產(chǎn)業(yè)鏈中占有越來(lái)越重的比例。 作為一種新興的文化產(chǎn)業(yè)，我國(guó)動(dòng)畫產(chǎn)業(yè)也在這一時(shí)期獲得了迅速的發(fā)展，并得到了國(guó)家相關(guān)部委的支持。在這一形勢(shì)下，動(dòng)畫作品的本土化與民族化問(wèn)題顯得尤為重要。動(dòng)畫造型設(shè)計(jì)中對(duì)中國(guó)傳統(tǒng)文化元素的借鑒與吸收也由此成為一個(gè)重要的課題。 中國(guó)在數(shù)千年的發(fā)展歷史中留下了豐富的文化遺產(chǎn)，既包括有形的，文物、圖形、戲劇、舞蹈等；也包括無(wú)形的思想、哲學(xué)等。這些都是我們?cè)趧?dòng)畫造型設(shè)計(jì)中獲取豐富養(yǎng)分的土壤。 大量傳統(tǒng)紋樣和圖形、富于民族特征的色彩體系和形式多樣的視覺(jué)藝術(shù)表現(xiàn)形式直接為動(dòng)畫造型提供了豐富的設(shè)計(jì)素材和視覺(jué)樣式；傳統(tǒng)戲劇舞蹈的外在個(gè)各種程式化要素和內(nèi)在的美學(xué)思想則在角色造型設(shè)計(jì)中有著重要的參考價(jià)值；文學(xué)在動(dòng)畫造型設(shè)計(jì)中所具有重要的借鑒作用不僅是因?yàn)槲膶W(xué)作品中豐富的形象描述為動(dòng)畫角色的創(chuàng)造提供重要參照，也同樣是因?yàn)槲膶W(xué)作品所傳達(dá)出的優(yōu)美意境對(duì)動(dòng)畫造型文化厚度的提升作用；思想意識(shí)體系作為一個(gè)民族文化的核心部分，對(duì)民族特性顯現(xiàn)與闡述有著重要的作用，動(dòng)畫造型中對(duì)它的把握與傳達(dá)不單是是動(dòng)畫角色個(gè)性塑造的重點(diǎn)，也是動(dòng)畫作品本土化、民族化重要前提。 盡管對(duì)中國(guó)傳統(tǒng)文化元素在動(dòng)畫造型中的應(yīng)用有著廣泛的認(rèn)同，但在具體的實(shí)施過(guò)程中仍需注意動(dòng)畫自身的藝術(shù)和商業(yè)特點(diǎn)，，進(jìn)行恰當(dāng)合理的吸收與借鑒，而不至于走向?qū)鹘y(tǒng)僵化、刻意的摹襲，學(xué)習(xí)傳統(tǒng)的最終目的在于創(chuàng)新。
[Abstract]:In the 21st century, with the popularization of the Internet and the maturity of 3D image technology, animation, which has been born for more than 100 years, has achieved unprecedented expansion and progress in its production technology and distribution channels. Focusing on the development, production, publication, broadcasting and sale of animated film and television works, combining with the production of toys, clothing, games and other peripheral derivative products related to the animation image, The animation industry also occupies a more and more important proportion in the cultural industry chain of the whole society. As a new cultural industry, animation industry in China has also developed rapidly in this period, and has been supported by relevant national ministries. In this situation, the localization and nationalization of animation works is particularly important. Drawing lessons from and absorbing the elements of Chinese traditional culture in animation modeling design has become an important subject. China has left behind a rich cultural heritage in the history of thousands of years, including tangible, cultural relics, graphics, drama, dance and so on, but also includes intangible ideas, philosophy and so on. These are the soil in which we get rich nutrients in animation design. A large number of traditional patterns and graphics, rich in national characteristics of the color system and various forms of visual art forms directly provide rich design materials and visual styles for animation modeling; The external stylized elements and internal aesthetic thoughts of traditional drama dance have important reference value in character modeling design. Literature plays an important role in animation modeling design not only because the rich image description in literary works provides important reference for the creation of animation characters. It is also because the beautiful artistic conception conveyed by literary works promotes the thickness of animation modeling culture. As a core part of national culture, ideology system plays an important role in the manifestation and elaboration of national characteristics. The grasp and communication of animation modeling is not only the focus of character shaping, but also the important premise of localization and nationalization of animation works. Although the application of Chinese traditional cultural elements in animation modeling has been widely recognized, it is still necessary to pay attention to the artistic and commercial characteristics of animation in the concrete implementation process, and to absorb and learn from it properly and reasonably. And not to the traditional rigid, deliberately copy, the ultimate goal of learning tradition is innovation.
【學(xué)位授予單位】：齊魯工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954

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本文編號(hào)：2075302