發(fā)布時(shí)間：2018-06-26 05:32

  本文選題：3D電影 + 電影美學(xué)��； 參考：《東北師范大學(xué)》2014年碩士論文

【摘要】：本文以3D電影為切入點(diǎn)，著重探討了3D電影在電影美學(xué)上的創(chuàng)構(gòu)，以及傳統(tǒng)電影對3D電影美學(xué)意義上的規(guī)約。 主要研究內(nèi)容有三個(gè)：第一，對“3D電影美學(xué)”進(jìn)行系統(tǒng)化的梳理和界定。本研究從美學(xué)的源流出發(fā)，找到了美學(xué)研究的本質(zhì)即對“美的本質(zhì)”的研究，是帶有哲學(xué)思辨的對規(guī)律的探尋，而非單純的對“美”的闡釋和對“審美感受”的闡釋。本文以傳統(tǒng)電影美學(xué)為根本，對“3D電影美學(xué)”進(jìn)行了相對準(zhǔn)確的定義，在界定的同時(shí)也梳理了“3D電影美學(xué)”的相關(guān)理論和其發(fā)展脈絡(luò)。第二，對“3D電影美學(xué)特征”進(jìn)行深入的挖掘和闡釋。本研究將通過大量的影片案例，結(jié)合相關(guān)電影理論和實(shí)踐經(jīng)驗(yàn)，與傳統(tǒng)電影作對比，，整理出3D電影的視聽語言特征，并用美學(xué)原理對相關(guān)特征進(jìn)行深入的解讀，從而得出美學(xué)視域下，3D電影的創(chuàng)作規(guī)律和審美規(guī)律。第三，對“3D電影文化符碼”進(jìn)行解析。研究不僅從電影本體挖掘3D電影的美學(xué)特征，更對3D電影的外圍社會文化空間予以關(guān)注，找出3D電影形成其特定美學(xué)趨向和美學(xué)特征的深層原因，用理論視角守護(hù)3D電影創(chuàng)作的精神家園。 通過相關(guān)研究可為3D電影創(chuàng)作提供理論指導(dǎo)，有助于實(shí)際創(chuàng)作中3D電影對其獨(dú)特美的展示和發(fā)揚(yáng)。并對3D電影美學(xué)特性形成的文化動因進(jìn)行挖掘，有助于推動電影文化的理性發(fā)展，為構(gòu)建積極健康的3D電影產(chǎn)業(yè)提供理論支撐。
[Abstract]:This paper focuses on the creation of 3D film in film aesthetics and the stipulation of traditional film to 3D film aesthetics. The main research contents are as follows: first, it systematizes and defines 3D Film Aesthetics. Starting from the origin of aesthetics, this study finds out the essence of aesthetic research, that is, the study of "essence of beauty", which is the exploration of laws with philosophical speculation, rather than the interpretation of "beauty" and "aesthetic feeling". Based on the traditional film aesthetics, this paper gives a relatively accurate definition of "3D film aesthetics", and at the same time combs the relevant theories and the development context of "3D film aesthetics". Secondly, the aesthetic features of 3D films are deeply explored and explained. Through a large number of film cases, combined with the relevant film theory and practical experience, this study will compare with the traditional film, sort out the audio-visual language features of 3D film, and use aesthetic principles to deeply interpret the relevant features. Thus, the creative and aesthetic laws of 3 D films are obtained from the perspective of aesthetics. Thirdly, it analyzes the cultural code of 3 D film. The study not only excavates the aesthetic characteristics of 3D film from film ontology, but also pays attention to the social and cultural space of 3D film, and finds out the deep reason why 3D film forms its specific aesthetic trend and aesthetic characteristics. To protect the spiritual homeland of 3D film creation from the perspective of theory. The relevant research can provide theoretical guidance for 3D film creation and help to display and develop the unique beauty of 3D film in practical creation. It is helpful to promote the rational development of film culture and provide theoretical support for the construction of active and healthy 3D film industry.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J901

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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2 邱章紅;董藝蓓;;從《龍門飛甲》看國產(chǎn)3D電影的發(fā)展[J];電影藝術(shù);2012年03期

本文編號：2069332