本文選題：新世紀(jì) + 歷史題材紀(jì)錄片　； 參考：《南昌大學(xué)》2013年碩士論文

【摘要】：新世紀(jì)以來(lái),在新歷史主義、歷史消費(fèi)主義、多元文化此消彼長(zhǎng)的文化語(yǔ)境下,我國(guó)歷史題材紀(jì)錄片沖破復(fù)雜的發(fā)展瓶頸,以一種嶄新、別致的姿態(tài)迅速脫穎而出。以周兵的《圓明園》、《敦煌》,金鐵木的《復(fù)活的軍團(tuán)》、《大明宮》等紀(jì)錄片為例,我國(guó)歷史題材紀(jì)錄片形成了風(fēng)起云涌、高潮不斷、佳作頻出的創(chuàng)作盛景。歷史題材紀(jì)錄片不僅以“影像史學(xué)”的方式梳理了國(guó)家、民族的歷史文化遺產(chǎn),也對(duì)這些遺產(chǎn)進(jìn)行了文化意義上的重新解讀和審視。 本文以我國(guó)新世紀(jì)以來(lái)創(chuàng)作的歷史題材紀(jì)錄片為研究對(duì)象,主要運(yùn)用影視文化學(xué)、傳播學(xué)、敘事學(xué)等理論對(duì)其進(jìn)行系統(tǒng)、周密的文化批評(píng)。首先,從當(dāng)代文化視角梳理我國(guó)新世紀(jì)歷史題材紀(jì)錄片的發(fā)展歷程及創(chuàng)作語(yǔ)境；其次,通過(guò)對(duì)大量作品的分析,觀照其多維的文化主題和深層的文化內(nèi)涵；然后,從敘事層面入手,以比較分析、個(gè)案分析的方法,歸納總結(jié)我國(guó)新世紀(jì)歷史題材紀(jì)錄片的敘事新變及文化特征；最后,基于新世紀(jì)歷史題材紀(jì)錄片所面臨的文化困境,從品牌推廣、文化整合、歷史敘事等方面給出其具體的發(fā)展路徑。
[Abstract]:Since the new century, in the cultural context of new historicism, historical consumerism and multiculturalism, Chinese historical documentaries break through the bottleneck of complex development and stand out quickly with a brand new and chic posture. Taking the documentaries such as Zhou Bing's "Old Summer Palace >," Dunhuang "," Jintiemu "," the Resurrection Corps "and" the Daming Palace "as an example, the historical documentaries of our country have formed a great scene of creation, which is full of ups and downs, climax and excellent works. The historical documentary not only combed the historical and cultural heritage of the country and nation in the way of "Image historiography", but also reinterpreted and examined these heritages in the cultural sense. This paper focuses on the historical documentaries that have been created since the new century in China. It mainly uses the theories of film and television culture, communication and narratology to carry out systematic and thorough cultural criticism. First of all, from the perspective of contemporary culture, combing the development of historical documentaries in the new century and the context of their creation; secondly, through the analysis of a large number of works, to look at their multidimensional cultural themes and deep cultural connotations; then, Starting from the narrative level, with the method of comparative analysis and case analysis, this paper sums up the new narrative changes and cultural characteristics of China's historical documentary in the new century, and finally, based on the cultural dilemma faced by the historical documentary in the new century, From the brand promotion, cultural integration, historical narrative and other aspects of its specific development path.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J952

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 孔令順;中國(guó)電視的文化責(zé)任問(wèn)題研究[D];中國(guó)傳媒大學(xué);2008年

，

本文編號(hào)：2046713