本文選題：數(shù)字影像 + 有我之境　； 參考：《山東師范大學》2013年碩士論文

【摘要】：在高速發(fā)展的信息時代，社會生活的快節(jié)奏與大變革使得人們愈發(fā)傾向于尋求一種及時便捷的信息獲取方式，以便獲得“安身立命”的心理滿足。在這個背景下，數(shù)字影像因其直觀可感的視覺特性與無所不能的技術(shù)特性成為人們感知世界、獲取信息的重要途徑。在商品經(jīng)濟的推動下，數(shù)字影像創(chuàng)作中的強刺激視覺奇觀傾向愈發(fā)濃烈，對技術(shù)理性的過度推崇造成部分影像創(chuàng)作盲目追求大場面的絢麗特技，從而產(chǎn)生影像內(nèi)涵空洞，藝術(shù)個性與情感缺失、民族韻味匱乏等問題，不利于數(shù)字影像創(chuàng)作與審美發(fā)展。 “有我之境”是中國獨特的意境結(jié)構(gòu)形式，最初見于詩詞文化之中，具有濃厚的民族美學意味。它崇尚主體個性情感的真實表達，并主張在形式感構(gòu)建的同時，融入創(chuàng)作者的主觀意興，從而賦予作品鮮明的主體色彩和風格特點，這種創(chuàng)作理念不失為一個增強影像內(nèi)涵、提高文化品位、彰顯藝術(shù)個性的有效手段。本文擬將“有我之境”的藝術(shù)理念引入數(shù)字影像的創(chuàng)作之中，將其與數(shù)字技術(shù)的無限實現(xiàn)特性結(jié)合起來，探求一條不同尋常的、極具藝術(shù)性與個性的“神似”奇觀構(gòu)建之路。 本文的第一章緒論中對論題的研究背景、研究目的、研究綜述和研究方法等問題做了詳細的介紹，并闡明了研究的難點與創(chuàng)新點。 本文的第二章中對數(shù)字影像做了概述式的介紹，界定了數(shù)字影像的基本內(nèi)涵與研究范圍，比較分析了當前主流的數(shù)字制作技術(shù)，總結(jié)出當前數(shù)字影像發(fā)展中存在的高度真實的視覺奇觀、傳統(tǒng)藝術(shù)的數(shù)字復現(xiàn)和高度主觀的自由構(gòu)建三個傾向，并從中得出當前數(shù)字影像創(chuàng)作中存在的問題和發(fā)展的機遇，從而提出本文希望著力解決的問題——提升數(shù)字影像創(chuàng)作中的民族人文內(nèi)涵和藝術(shù)個性情感。 本文的第三章中對“有我之境”進行了溯源式的分析，簡要介紹了詩詞文化和中國古典繪畫中的“有我之境”與“無我之境”，并從二者的對比分析中引申出“有我之境”的獨特之處，，從而總結(jié)出“有我之境”的視覺藝術(shù)特點：神似的奇觀、個性的情感和引導體驗的意境。通過對“有我之境”的視覺美學分析，發(fā)現(xiàn)“有我之境”作為一種藝術(shù)理念能夠指導數(shù)字影像的創(chuàng)作，而數(shù)字影像的“人本性”和“技術(shù)工具性”與“有我之境”的意境結(jié)構(gòu)形式存在著契合之處，為之后的創(chuàng)作分析提供了可能性與可行性。 本文的第四章主要論述了“有我之境”指導下的數(shù)字影像創(chuàng)作，從創(chuàng)作主體、創(chuàng)作文本和藝術(shù)手法三個方面入手，闡述了創(chuàng)作中的實際問題。對“有我之境”的創(chuàng)作主體而言，“體道悟道”是其“氣質(zhì)”根源，“不思而至”是其氣質(zhì)性體驗的觸發(fā)，“以神馭形”則是其氣質(zhì)性體驗的外化表達。在創(chuàng)作文本上，可以依據(jù)筆墨意趣的寫意精神、空納萬境的虛實關系和抽象簡約的天成之韻進行“有我之境”的意境構(gòu)建。同時，本章還從實際操作角度闡述了上述藝術(shù)手法的數(shù)字軟件實現(xiàn)，完成理論研究與實際操作的有機融合。 “有我之境”是“個性之境”，也是“藝術(shù)之境”，它的獨特魅力并不因數(shù)字技術(shù)的參與而有所衰減，反而在數(shù)字軟件多維無限的推動下衍生出極富時代意義的新蘊含。而無處不在的數(shù)字影像創(chuàng)作在“有我之境”藝術(shù)理念的指導之下，能夠有效提升影像作品的藝術(shù)個性和情感蘊含，必將打造出更多富有民族韻味和人文內(nèi)涵的藝術(shù)精品。
[Abstract]:In the information age of high-speed development, the fast pace and great change of social life have made people more and more inclined to seek a timely and convenient way of obtaining information, so as to get the psychological satisfaction of "standing out". In this context, digital images are perceived by their visual and omnipotent technical characteristics. The world, an important way to obtain information. Under the impetus of the commodity economy, the strong stimulus of the visual curiosity in the creation of digital image is becoming more and more strong. The excessive esteem for the technical rationality causes some magnificent stunt to blindly pursue the large field of image creation, thus producing the empty hole of the image connotation, the lack of artistic personality and emotion, the lack of national charm and so on. The problem is not conducive to digital image creation and aesthetic development.
"My territory" is a unique form of artistic conception in China, which is first seen in the poetry culture and has a strong national aesthetic meaning. It advocates the true expression of the subjective emotion of the main body, and advocates the creation of the subjective mood of the creator in the form of the sense of form, thus endowing the works with the distinctive main color and style characteristics, this kind of creation. The idea is an effective means to enhance the connotation of the image, improve the cultural taste and highlight the artistic personality. This article intends to introduce the artistic concept of "my realm" into the creation of digital image, and combine it with the infinite realization of digital technology to seek a "divine" strange, unusual, artistic and personality. The way to view the construction.
The research on the topic background, the first chapter is introduction, research purpose, research review and research methods are described in detail, and expounds the difficulties and innovations of the research.
The second chapter of this paper gives a brief introduction to digital image, defines the basic connotation and research scope of digital image, compares and analyzes the current mainstream digital production technology, summarizes the high true visual spectacle in the development of the current digital image, the digital reproduction of traditional art and the high subjective free construction of three. The problems and development tendency, and the existing digital image creation from the opportunity, we proposed to efforts to solve the problem of improve the digital image in the creation of the national cultural connotation and artistic personality emotion.
The third chapter of this article makes an analysis of the origin of "my realm", and briefly introduces the poetry culture and the "my realm" and "the realm of no me" in the Chinese classical painting, and from the contrast and analysis of the two, the unique features of "I have my realm" are extended, thus the visual artistic features of "my realm" are summed up. By the visual aesthetic analysis of "my realm", it is found that "I am" as an artistic concept can guide the creation of digital images, and the "human nature" and "technical instrumentality" of digital images correspond to the artistic conception structure of "I am". It provides possibility and feasibility for subsequent creative analysis.
The fourth chapter of this article mainly discusses the creation of digital image under the guidance of "my territory". From the three aspects of the creation subject, the creation text and the artistic technique, this paper expounds the practical problems in the creation. For the creation subject of "my realm", "the way of understanding the Tao" is the root of his "temperament" and "not to think" is its temperament. The trigger of experience, "taking the shape of God" is the external expression of his temperament experience. In the creative text, it can be based on the freehand spirit of the interest of the pen and ink, the empty and real relations in the empty space and the abstract and simple rhyme of heaven, and the artistic conception of the artistic technique is expounded in this chapter from the practical point of view. The realization of digital software completes the organic integration of theoretical research and practical operation.
"The realm of me" is "the realm of individuality" and "the artistic conception". Its unique charm is not attenuated by the participation of digital technology. On the contrary, it derives the new implication of the epochal significance under the infinite multidimensional impetus of digital software. It can effectively enhance the artistic personality and emotional implication of image works, and will surely create more artistic works of national charm and humanistic connotation.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905;J916

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