本文選題：電影剪輯 + 時間�。� 參考：《江西師范大學》2014年碩士論文

【摘要】：傳統(tǒng)藝術一般分為兩類：一種是空間藝術，比如美術、建筑、舞蹈；一種是時間藝術，比如音樂、戲劇、文學，而電影則是時間藝術與空間藝術的綜合體。弗里克斯·恩格斯說：“一切存在的基本形式是空間和時間，時間以外的存在和空間以外的存在，同樣是十分荒謬的事情�！彪娪八囆g在其自身的發(fā)展過程中，有著多種多樣的時空結構形式。而電影藝術家主要任務之一就是如何巧妙地將它們運用到電影敘事結構中來。傳統(tǒng)敘事以線性時間發(fā)展為典型結構類型，有清晰的敘事脈絡和線索，，以一系列互為關聯的事件按照線性安排環(huán)環(huán)相扣，最后導致一個戲劇性結局；而隨著電影的內容和主題愈加豐富，對電影的敘事的手法也經過不斷探索和嘗試后愈加多樣化，現代影片擺脫了舊的戲劇結構的框子，利用非線性剪輯思維方式結構影片做了種種大膽的嘗試，這就要求剪輯師在影片的創(chuàng)作過程中，需要根據導演的創(chuàng)作意圖和藝術構思，對時空結構方面有一個周密的設計，擬出于之相適應的剪輯思路，架構出最合適的時空和結構，準確完成影片的敘事，實現導演的藝術構思進而帶來新的時空結構類型。本文對電影剪輯、電影時空和對時空敘事結構及創(chuàng)造方法進行了系統(tǒng)的思考，努力闡釋電影剪輯對電影時空結構重建的重要作用，并總結了現代電影的六種反傳統(tǒng)的現代時空結構方式，進而形成了多種結構并存的現代電影藝術。
[Abstract]:Traditional art is generally divided into two categories: one is space art, such as art, architecture, dance; the other is time art, such as music, drama, literature, and film is a combination of time art and space art. "the basic form of all existence is space and time," said Felix Engels. "it is also absurd to exist outside time and beyond space." Film art in its own development process, has a variety of space-time structure. One of the main tasks of film artists is how to apply them to the narrative structure of films. The traditional narrative takes the linear time development as the typical structure type, has the clear narrative thread and the clue, with a series of interrelated events according to the linear arrangement, finally leads to a dramatic ending; As the content and theme of the film become richer and the narrative techniques of the film become more diversified after constant exploration and attempt, the modern film has got rid of the frame of the old dramatic structure. A variety of bold attempts have been made to use the non-linear editing mode of thinking to structure the film, which requires the editor to have a thorough design of the space-time structure according to the director's creative intention and artistic conception in the course of the film creation. Based on the corresponding editing ideas, this paper constructs the most suitable time and space and structure, completes the narration of the film accurately, realizes the artistic conception of the director and then brings a new type of space-time structure. This paper makes a systematic thinking on film editing, film time and space, and the narrative structure and creation method of time and space, and tries to explain the important role of film editing in the reconstruction of film time and space structure. Six anti-traditional ways of modern space-time structure are summarized, and a variety of modern film art is formed.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J932

【參考文獻】

相關期刊論文 前1條

1 蘇·巴伯 ,理·梅塞 ,林瑞頤;《法國中尉的女人》詳析[J];世界電影;1988年02期

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