本文選題：數(shù)據(jù)樣本 + 敘事特征��； 參考：《中國電視》2017年02期

【摘要】：正網(wǎng)絡劇與新媒體有著天然親和性,在其生產(chǎn)過程中,不可避免地會受到數(shù)據(jù)的影響。網(wǎng)絡劇近年來的發(fā)展與變化,與大數(shù)據(jù)思維息息相關。維克托邁爾-舍恩伯格在《大數(shù)據(jù)時代:生活、工作與思維的大變革》中對大數(shù)據(jù)思維進行了闡釋:首先,要分析與某事物相關的所有數(shù)據(jù),而不是依靠分析少量的數(shù)據(jù)樣本。其次,我們樂于接受數(shù)據(jù)的紛繁復雜,而不再追求精確性。最后,我們的思想發(fā)生了轉變,不再探求難以捉摸的因果關系,轉而關
[Abstract]:Positive network drama and new media have natural affinity, in its production process, will inevitably be affected by the data. The development and change of network drama in recent years is closely related to big data thinking. Victor Mayr-Scheinberg explains big data's thinking in the big data Age: big changes in Life, work, and thinking: first, analyze all the data related to something, rather than analyzing a small sample of data. Second, we are happy to accept the complexity of the data, rather than the pursuit of accuracy. Finally, our thinking changed away from the elusive causal relationship and turned to the key.
【作者單位】： 中國傳媒大學藝術學部;
【分類號】：J905
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本文編號：2031653