發(fā)布時間：2018-06-17 13:47

  本文選題：新時期 + 軍旅劇�。� 參考：《南京航空航天大學(xué)》2014年碩士論文

【摘要】：隨著文化多元化的發(fā)展，展現(xiàn)當代軍人生活題材的影視劇深受觀眾的喜愛，劇中曾經(jīng)“高大全”的人物形象逐漸走下了高不可攀的神壇，出現(xiàn)人性化、大眾化變奏。作為軍旅影視劇中不可缺少的角色之一，軍嫂形象頻頻出現(xiàn)，尤其是2012年幾部以軍嫂為敘事對象的電視劇的播出，更體現(xiàn)了對軍嫂形象研究的現(xiàn)實意義。 目前學(xué)界關(guān)于軍旅影視劇中軍嫂形象的研究，僅限于局部的零星層面，全面整體的關(guān)注尚未及見。因此，對這一類影視劇中的人物形象進行類型分析有一定的必要性。論文以新時期軍旅劇中的軍嫂形象為研究對象，對其進行了縱橫兩個方面的剖析。文章先通過梳理軍嫂形象的歷史建構(gòu)，，以時間為線索呈現(xiàn)軍嫂形象從傳統(tǒng)到當代的變遷歷程。在此基礎(chǔ)上，重點分析新時期軍旅劇中所建構(gòu)的軍嫂形象。論文采用文本剖析法，以《成長》、《十五的月亮》、《五湖四�！返葞撞啃聲r期軍旅劇為對象，從女性主義的研究視角出發(fā)，指出相比傳統(tǒng)軍嫂形象“沉默的他者”或盲目打破傳統(tǒng)價值觀束縛的特點，新時期軍嫂形象實現(xiàn)了妥善地均衡“自我奉獻”與“自身價值”的關(guān)系，進而引出論文的核心觀點——新時期軍嫂形象在對待傳統(tǒng)女性價值觀上，形成了一條“解構(gòu)—瓦解—重構(gòu)—回歸”的人物塑造軌跡。
[Abstract]:With the development of cultural diversity, movies and TV dramas that show the life theme of the contemporary soldiers are loved by the audience. The characters of the play once "tall and complete" have gradually stepped down from the unreachable shrine, with the appearance of humanization and popular variation. As one of the indispensable roles in military movies and TV dramas, the image of military sister-in-law appears frequently, especially the broadcasting of several TV dramas in 2012, which takes military sister-in-law as the narrative object, which reflects the realistic significance of studying the image of military sister-in-law. At present, the research on the image of Chinese military sister-in-law in military drama is limited to local sporadic level, and the overall attention has not yet been seen. Therefore, it is necessary to analyze the characters in this kind of movies and TV dramas. This paper takes the image of military sister-in-law in military drama in the new period as the research object and analyzes it from two aspects: vertical and horizontal. The article first combs the historical construction of the image of the military sister-in-law, taking time as the clue to present the vicissitude of the image of the military sister-in-law from the traditional to the contemporary. On this basis, the emphasis of the new period of military drama in the construction of the image of military sister-in-law. The thesis adopts the text analysis method, taking several military dramas of the new period, such as "growing up", "the Moon of the Fifteenth Five-Year", "all over the world", and so on, as objects, from the perspective of feminism. It is pointed out that compared with the traditional image of "silent other" or blindly breaking the shackles of traditional values, the image of "military sister-in-law" in the new period has achieved a proper balance between "self-dedication" and "self-value". The core point of the thesis is that the image of military wife in the new period has formed a "deconstruction-disintegration-reconstruction-return" of characters in the treatment of traditional female values.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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本文編號：2031267