本文選題：小說《死水微瀾》 + 改編　； 參考：《電影文學(xué)》2017年18期

【摘要】：小說《死水微瀾》(1936—2017)誕生已有八十余年,文章梳理小說、電視劇、電影三個(gè)文本中的蔡大嫂形象,以文本細(xì)讀的方法,呈現(xiàn)出三個(gè)文本中的形象特色。小說中的蔡大嫂是一個(gè)不安分的巴蜀鄉(xiāng)間民女形象,電視劇中的蔡大嫂被塑造成一個(gè)悲情女主角形象,電影中的蔡大嫂被塑造成現(xiàn)實(shí)勢(shì)利、拜金狂野的奇女子形象。改編者、媒介屬性、時(shí)代話語(yǔ)都影響了故事的重述。文章通過不同文本中的蔡大嫂形象,鑒賞蔡大嫂這一形象的藝術(shù)魅力及文學(xué)作品影視改編的意義。
[Abstract]:It has been more than 80 years since the birth of the novel "stagnant Water and slight waves" (1936-2017). The article combs the image of Mrs. Cai in the three texts of novels, TV dramas and movies, and presents the image characteristics of the three texts by the method of reading the text carefully. Cai Da Sister in the novel is a restless Bashu country woman image. In the TV series, Cai Da Sister is molded as a sad heroine, and in the movie, Cai Da Sister is portrayed as a realistic snobbery, and a strange woman image of feverish gold. The restatement of the story is influenced by the editors, the media attributes and the discourse of the times. Based on the image of Cai Daisao in different texts, the article appreciates the artistic charm of this image and the significance of adaptation of literary works and films.
【作者單位】： 西華大學(xué);
【基金】：“自媒體對(duì)詩(shī)歌傳播的影響研究及課堂教學(xué)應(yīng)用——以成都地區(qū)藝術(shù)類高校文學(xué)課堂為例”(項(xiàng)目編號(hào):17SB0254)
【分類號(hào)】：I207.42;J905
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本文編號(hào)：1999199