本文選題：王全安 + 主題　； 參考：《四川師范大學(xué)》2014年碩士論文

【摘要】：王全安是第六代導(dǎo)演的代表，他拍攝的作品并不多,卻幾乎部部在國(guó)際電影節(jié)上得到肯定并獲得重要獎(jiǎng)項(xiàng)。王全安的影片從與市場(chǎng)保持距離到逐步走向融合藝術(shù)與商業(yè)化之路，，與他在當(dāng)下的文化語(yǔ)境中靈活應(yīng)對(duì)有關(guān)。從他的影片中能看到在社會(huì)轉(zhuǎn)型中被忽視和遮蔽的普通人的人生，通過(guò)對(duì)這些個(gè)體生存困境的記錄構(gòu)建了底層世界的一角，留下了可供將來(lái)查閱的寶貴的影像資料。此外，他的影片對(duì)女性社會(huì)地位的關(guān)注、對(duì)西部地區(qū)的風(fēng)土人情的描寫(xiě)，對(duì)生態(tài)環(huán)境的擔(dān)憂(yōu)也體現(xiàn)了他的人文關(guān)懷。在第六代導(dǎo)演中，人們最為熟悉的是張?jiān)�、賈樟柯、王小帥、陸川等人，然而對(duì)于王全安這位“后起之秀”的研究卻還不夠深入。將他在創(chuàng)作中的恒定特質(zhì)和變動(dòng)因子進(jìn)行歸納總結(jié)，可以看到當(dāng)代導(dǎo)演在面對(duì)國(guó)內(nèi)電影產(chǎn)業(yè)的快速發(fā)展時(shí)選擇的前進(jìn)方向。 本文分五章來(lái)對(duì)他的作品進(jìn)行論述。第一部分是緒論，將目前針對(duì)王全安進(jìn)行研究的論文進(jìn)行了分類(lèi)整理，可以大致了解目前研究的狀況；第二部分將貫穿王全安電影作品中的個(gè)性化的特質(zhì)進(jìn)行了闡述，分析了他的創(chuàng)作主題以及最擅長(zhǎng)的藝術(shù)手法；第三部分將王全安的作品中明顯產(chǎn)生變化的特點(diǎn)進(jìn)行了總結(jié)，從敘事結(jié)構(gòu)、音畫(huà)關(guān)系的角度探討了他的作品發(fā)展的方向，并分析了他嘗試平衡藝術(shù)與商業(yè)之作——《白鹿原》；第四部分對(duì)他創(chuàng)作具有影響的文化背景做出歸納，分析了他作品中變與不變的深層次原因；最后一部分為全文作結(jié)，總結(jié)了王全安作品的價(jià)值。
[Abstract]:Wang Quanan is the sixth generation director's representative, his work is not many, but the department receives the recognition at the international film festival and receives the important award. Wang Quanan's films from keeping a distance from the market to the gradual integration of art and commercialization are related to his flexible response in the current cultural context. From his films, we can see the lives of ordinary people who have been neglected and obscured in the transformation of society. Through the record of the plight of these individuals, we have constructed a corner of the bottom world, leaving valuable image materials for future reference. In addition, his attention to the social status of women, the description of local customs in the western region, and the concern for the ecological environment also reflect his humanistic concern. Among the sixth generation directors, Zhang Yuan, Jia Zhangke, Wang Xiaoshuai and Lu Chuan are the most familiar directors. However, the research on Wang Quanan, a rising star, is not deep enough. By summing up his constant characteristics and changing factors in his creation, we can see that contemporary directors choose the forward direction in the face of the rapid development of the domestic film industry. This article is divided into five chapters to discuss his works. The first part is the introduction, which classifies the current research papers on Wang Quanan to get a general understanding of the current research situation; the second part will run through Wang Quanan film works in the personalized characteristics of the elaboration, In the third part, the characteristics of Wang Quanan's works are summarized, and the development direction of his works is discussed from the angle of narrative structure and the relationship between sound and painting. It also analyzes his attempt to balance art and business-"White Deer Plains"; the fourth part sums up the cultural background that has an impact on his creation, analyzes the deep-seated reasons for the change and invariance in his works; the last part concludes the whole article. This paper summarizes the value of Wang Quanan's works.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J905

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