本文選題：紀(jì)錄片創(chuàng)作 + 美學(xué)風(fēng)格��； 參考：《中國電視》2017年09期

【摘要】：正紀(jì)錄片的發(fā)展歷程基本上與整個電影史同步,同樣也深深受到了影像制作技術(shù)發(fā)展的影響。隨著技術(shù)的革新,紀(jì)錄片的形式與美學(xué)風(fēng)格也不斷發(fā)生改變。航拍作為一種高空俯視拍攝的技巧,在紀(jì)錄片中并不少見。但是受制于航拍技術(shù)所能拍攝的素材類型以及航拍的成本,航拍在紀(jì)錄片中大規(guī)模使用并不多見,多數(shù)只是作為其影像系統(tǒng)的一個組成部分。然而,近年來隨著航拍器技術(shù)的提升、航拍成本的降低,尤其是無人機(jī)航拍器的出現(xiàn),以航拍為主體,大規(guī)模使用航拍的紀(jì)錄
[Abstract]:The development course of positive documentary is basically synchronized with the whole film history, and also deeply influenced by the development of image making technology. With the innovation of technology, the form and aesthetic style of documentary are changing constantly. Aerial photography is not uncommon in documentaries as a technique of aerial viewing. However, limited by the type of material and the cost of aerial photography, aerial photography is rarely used in documentaries on a large scale, mostly as a part of its image system. However, in recent years, with the improvement of aerial photography technology and the reduction of aerial photography cost, especially the emergence of UAV aerial racers, aerial photography as the main body, large-scale use of aerial photography records
【作者單位】： 安陽師范學(xué)院傳媒學(xué)院;
【分類號】：J952;TB869
，

本文編號：1962820