本文選題：消費男性 + 男性消費��； 參考：《電影文學(xué)》2016年10期

【摘要】：《老炮兒》借助"消費男性"與"青春懷舊"的兩股潮流,通過扎實的劇作內(nèi)容、真實的情感表達(dá)與精湛的演員演繹,塑造了可信的人物形象,贏得了市場的肯定與質(zhì)量的認(rèn)可,引發(fā)了觀眾對過去的回憶與對英雄不再的感傷,是對道德價值的一次深情懷舊。雖然影片的懷舊情愫是真實的,但是由于顯性的消費男性與隱性的男性消費、過分的形象拔高、結(jié)尾的有意煽情以及認(rèn)同老炮兒價值觀的有意設(shè)置,受眾獲得的懷舊快感其實是虛幻的、想象的,而非真實的。
[Abstract]:With the help of the two trends of "consumer male" and "youth nostalgia", through the solid content of the play, the real emotional expression and the consummate actor deduction, the "Old Gun" has created a credible character image. Won the recognition of the market and quality, triggered the audience to the past memories and heroes no longer sentimental, is the moral value of a deep nostalgia. Although the nostalgia of the film is true, due to the overt consumption of men and hidden male consumption, excessive image exaltation, deliberately inciting the ending and the intention to identify with the values of the old cannon, The nostalgia of the audience is actually illusory, imaginative, and not real.
【作者單位】： 荊楚理工學(xué)院文學(xué)與傳媒學(xué)院;
【分類號】：J905
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本文編號：1936103