本文選題：cult + film��； 參考：《上海師范大學(xué)》2014年碩士論文

【摘要】：本文要研究的是邪典電影的內(nèi)涵、發(fā)展以及文化生態(tài)問題。 開篇第一章，從邪典電影的提出、內(nèi)涵和特征解讀下手，，列舉出了當(dāng)今學(xué)術(shù)界對于邪典電影的定義，并著重解釋筆者對于邪典電影的理解。 簡明《牛津字典》關(guān)于“cult”的定義為：1）宗教信仰系統(tǒng)尤其是在禮儀方面的表現(xiàn)；2）奉獻或是對人、對物表示敬意；3）流行時尚尤其是伴隨著社會的特定事物而產(chǎn)生的；4)表示人或者事物因此而受到歡迎。這本字典，利用語言的智慧，將最后的定義為一個崇拜名人或非常崇拜的電影。 第二部分是對邪典電影的產(chǎn)生與發(fā)展進行追尋，分別從美國早期邪典電影產(chǎn)生的社會原因、邪典電影浪潮的發(fā)展軌跡進行闡述。另外將邪典電影按照地域分為歐美和亞洲邪典電影，通過介紹歐美和亞洲邪典電影的代表作品和特點，概述邪典電影的發(fā)展現(xiàn)狀。深入分析并了解邪典電影出現(xiàn)的社會學(xué)原因。重點對邪典電影在美國和歐洲一些國家發(fā)展、盛興的社會關(guān)系進行研究，通過對以上各點的分析和考證，總結(jié)出邪典電影與社會學(xué)緊密的關(guān)系。 第三章則是本篇論文的重點，即“亞文化”和“亞文化資本”的概念及其關(guān)系和對邪典電影的影響及意義。首先對“亞文化”和“亞文化資本”進行詞義解釋，隨后將分析此類文化的成因及邪典電影深受其影響的因果關(guān)系。尤其通過主流文化與亞文化的關(guān)系、邪典電影與影迷之間的關(guān)系等來探究亞文化對于邪典電影這一電影藝術(shù)的影響。 最后一章為“總結(jié)”部分，通過以上三部分的研究以期得到關(guān)于邪典電影的文化思考的結(jié)果并總結(jié)近年來邪典電影的發(fā)展的大致方向。
[Abstract]:This article is to study the connotation, development and cultural ecology of evil film. In the first chapter, the author starts with the introduction, connotation and characteristics of the evil classic film, enumerates the definition of the evil classic film in current academic circles, and emphatically explains the author's understanding of the evil classic film. The Concise Oxford Dictionary defines "cult" as "1: 1) the system of religious beliefs, especially in terms of ceremonial performance (2) giving or giving to people, To show respect for things. (3) popular fashion, especially when it comes to a particular thing in a society, means that people or things are welcomed as a result. This dictionary, using the wisdom of language, defines the final as a celebrity worship or a very worshipped film. The second part is to pursue the emergence and development of the evil classic film, respectively from the social reasons of the emergence of the early evil classic film in the United States, and the development track of the evil classic film wave. In addition, the film is divided into Europe, America and Asia according to the region, through introducing the representative works and characteristics of Europe and the United States and Asia, the development status of evil classic film is summarized. Deeply analyze and understand the sociological reasons for the emergence of evil film. This paper focuses on the development and flourishing social relations of the evil classic films in the United States and some European countries, and sums up the close relationship between the evil classic films and sociology through the analysis and textual research of the above points. The third chapter is the focus of this paper, that is, the concepts of "subculture" and "subcultural capital" and their relations, and the influence and significance on the evil classic films. First, it explains the meaning of "subculture" and "subculture capital", and then analyzes the causes of this kind of culture and the causality of the evil classics film deeply influenced by it. Especially through the relationship between the mainstream culture and subculture, the relationship between the evil film and the fans, to explore the influence of subculture on the film art. The last chapter is the "summary" part, through the research of the above three parts, we hope to get the result of cultural thinking about the evil classic film and summarize the general direction of the development of the evil classic film in recent years.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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本文編號：1922377