本文選題：《長江圖》 + 東方意象�。� 參考：《電影文學》2017年21期

【摘要】：憑借《長江圖》,導演楊超獲得了金熊獎第66屆柏林國際電影節(jié)的提名。從影片的敘事內(nèi)容看,《長江圖》是一部野心頗大的影片,它嘗試在愛情、命運、宗教、環(huán)境等各種巨大的命題中轉圜。而它又是一部充滿著東方審美和中國傳統(tǒng)文化氣質暗合的影片,其美學價值既表現(xiàn)在影片精美獨特的影像畫面,又表現(xiàn)在影片豐富隱秘的敘事內(nèi)核;其帶來的審美價值既包括其工業(yè)與自然、人與河流之間隱秘又復雜的關系,也包含了一種對人類文化的審美。
[Abstract]:Director Yang Chao was nominated for the 66 th Berlin International Film Festival for the Golden Bear Award. From the narrative content of the film, "the Yangtze River Picture" is a rather ambitious film, it tries to change in love, fate, religion, environment and other huge propositions. And it is a film full of oriental aesthetics and Chinese traditional cultural temperament, its aesthetic value is not only in the film's exquisite and unique image, but also in the rich and secret narrative core of the film; The aesthetic value it brings includes not only its industry and nature, the secret and complex relationship between man and river, but also the aesthetic of human culture.
【作者單位】： 長春科技學院;
【分類號】：J905
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本文編號：1907515