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失落的幸存者——《海邊的曼徹斯特》反模式敘事

發(fā)布時間:2018-05-18 22:27

  本文選題:反模式 + 敘事過程 ; 參考:《電影評介》2017年12期


【摘要】:正敘事就是通過講故事的方法把人生經(jīng)驗的本質(zhì)和意義傳示給他人。偉大的敘事模式往往會在敘事過程中加入作者的主觀思想,然而,在長久的流傳過程中,敘事模式也會出現(xiàn)一定程度的僵化,使得敘事成為模式化的敘事。多數(shù)藝術(shù)在實質(zhì)上都是創(chuàng)作者通過對自身意圖的表述以達到與欣賞者思想共鳴的目的,敘事是表述意圖的重要方法之一,譬如在傳統(tǒng)的文學藝術(shù)中敘事在表述意圖過程中就占據(jù)相當重要的作用。電影作為一門現(xiàn)代大眾藝術(shù)誕生之后,集諸如
[Abstract]:Positive narration is to pass on the essence and meaning of life experience to others by telling stories. The great narrative mode often adds the author's subjective thought to the narrative process, however, in the long spreading process, the narrative mode will also appear a certain degree of ossification, which makes the narrative become a stereotype of narration. In essence, most of the art is the author through the expression of his own intention to achieve the purpose of resonating with the viewer's thoughts, narrative is one of the important ways to express the intention. For example, in traditional literature and art, narrative plays an important role in the process of expressing intention. After the birth of the film as a modern popular art, the collection such as
【作者單位】: 忻州師范學院;
【分類號】:J905
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本文編號:1907481

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