本文選題：《戰(zhàn)狼》 + 《湄公河行動(dòng)》　； 參考：《電影文學(xué)》2017年06期

【摘要】：《戰(zhàn)狼》和《湄公河行動(dòng)》都是主流意識(shí)形態(tài)大片,在沒有節(jié)慶獻(xiàn)禮和單位包場(chǎng)的情況下,叫好又叫座,票房、口碑雙豐收除了制作精良、情節(jié)緊湊等原因之外,也塑造了地區(qū)穩(wěn)定發(fā)展的"帶頭大哥"形象、硬朗智慧的中國人形象和"真實(shí)"的文化中國形象,契合了民眾對(duì)國家、民族的心理認(rèn)同感。"類像"一旦形成就有了自己內(nèi)在的生命力,可以自我復(fù)制、衍生,成為"比真實(shí)更真實(shí)"的存在,因而要高度重視影像媒介傳播的中國形象。
[Abstract]:Wolf Warriors and Action Mekong are major ideological blockbusters. In the absence of festivals, gifts and units, they are popular and popular. Apart from well-produced harvests and compact plots, the box office and word of mouth are also popular. It has also shaped the image of the "leading elder brother" in the stable development of the region, the image of the hardworking and intelligent Chinese and the "real" image of the cultural China, which accords with the psychological identity of the people towards the country and nation. " Class image "once formed has its own inherent vitality, can replicate itself, derivative, become" more real than the real "existence, so we should attach great importance to the image of image media dissemination of China.
【作者單位】： 鞍山師范學(xué)院;
【基金】：2015年遼寧省社會(huì)科學(xué)基金項(xiàng)目“‘東北振興’視閾中的遼寧文化記憶與形象塑造”(課題編號(hào):L15ZW005)的階段成果
【分類號(hào)】：J905
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本文編號(hào)：1904187