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供給側(cè)結(jié)構(gòu)性改革視域下我國歷史正劇的回歸路徑

發(fā)布時(shí)間:2018-05-18 03:19

  本文選題:結(jié)構(gòu)性改革 + 優(yōu)酷; 參考:《中國電視》2017年07期


【摘要】:正近期《于成龍》亮相央視和優(yōu)酷、搜狐、騰訊等多家視頻網(wǎng)站,時(shí)隔十年《大明王朝1566》也在優(yōu)酷和重慶衛(wèi)視進(jìn)行重播。一時(shí)間,宏大敘事的歷史正劇引發(fā)熒屏熱潮并頗受觀眾好評,其中《大明王朝1566》在豆瓣上獲得了高分評價(jià)。在《花千骨》《三生三世十里桃花》等網(wǎng)絡(luò)IP劇強(qiáng)勢霸屏的影像環(huán)境下,這兩部歷史正劇以嚴(yán)肅的歷史主題、真實(shí)的史實(shí)再現(xiàn)、藝術(shù)的視覺傳達(dá)生動(dòng)地還原了撼
[Abstract]:Recently, "Yu Jackie" appeared on CCTV and Youku, Sohu, Tencent and other video sites, 10 years after "Daming Dynasty 1566" also in Youku and Chongqing Satellite TV replay. For a time, the grand narrative of historical drama triggered a television boom and quite popular with the audience, including Daming Dynasty 1566 in the bean peas received high marks. In the video environment of Internet IP drama such as "Flower a thousand bones", "Sansheng, Sanshang, Xili peach blossom" and so on, these two historical plays are reproduced with serious historical themes, real historical facts, and artistic visual communication vividly reverts to shake.
【作者單位】: 四川大學(xué)文學(xué)與新聞學(xué)院;
【分類號】:J905
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本文編號:1904139

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